Assassins Creed III is the latest game from Ubisoft to receive the “Remaster” treatment. Pretty much all of their games have now been upgraded or started that way. Even Assassins Creed 1 has Xbox One X enhancements. Yet still, there are a plethora of videos popping up. They show the new remaster looking much worse than the original. This isn’t even the first time this has been done. Assassins Creed, the Ezio Trilogy was also lambasted for looking worse. However, in that case, it didn’t actually look worse. Polygon just chose to only show off stuff that looks worse. It included a bug that has nothing to do with the remaster. And here they are doing it again. The character models may look like clay, but everything else in the game looks far better than it ever did before. Here’s why.
Also, it’s free if you had the season pass for Assassins Creed Odyssey. Considering that the standalone game or the season pass both cost 40, you should definitely buy the latter.
Feminists everywhere love the realism of this art.
We all know that the body positivity movement is constantly under attack. Sexist and hateful bigots everywhere say it’s bad. We know this simply isn’t true. Women are healthy at every size. It takes a strong and bold woman to prove to the haters that their hate is all lies.
You’ve seen many fat acceptance renditions of all your favorite comic book heroes, video game characters, and Disney princesses. Re-drawings like those are reshaping the very paradigm of sex. A new culture is emerging and proving to everyone that women are beautiful. However, there have been certain issues with some more recent characters. We just don’t have enough of the perfect feminist role models in media. When we do, the characters are still very problematic. A whole army of people trolled the tolerant studio Bioware because their beautiful female protagonist wasn’t sexy enough for them.
We just don’t have enough of the perfect feminist role models in media.
Now we have the default star of Assassin’s Creed Odyssey, Kassandra. Although she is both very strong and smart, her appearance in the game needs to be unpacked. She has really big muscles for woman, and that’s a completely unrealistic standard. In order to get that big and muscular, she would have to go the the gym twice per day to look that good. But because it’s in Ancient Rome, they didn’t have gyms back then. So there’s nothing that can be done about that. She would also need to drink bulking powder and that didn’t exist back then either.
Fret not. We went to tumblr and found the perfect recreation of this iconic new character. Jessica Goldberg from @goldenbergerarts on the site had all the skill needed to show people what Assassins Creed needed. In true response for tolerance and peace of the women’s mind, this version was created. Now THIS is what feminine beauty is supposed to look like! Share this post everywhere. The manbabies on the far right hate it when people draw accurate representations of the better sex. You can already taste the toxic male tears.
Thankfully, this post was SATIRE in case you weren’t tipped off by “Ancient Rome”.
Despite what some online comparisons indicate, the remaster is the superior version of the game.
Let’s preface this one differently. I was a big Assassin’s Creed fan but AC3 greatly reduced my love for it. And Unity murdered it. When I played that game all those years ago, I was disappointed on all fronts. I was also setting really high expectations that could not be reached. And I wanted to beat the game before the real life “December 21, 2012” end of the word scenario so I rushed through all of it. Hated the difficulty, the setting was underused, Connor wasn’t a good protagonist, and lots of bugs and grievances with the detection settings for NPCs.
Well, I either completely sucked back then, or Assassin’s Creed III Remastered is a much better experience. This re-release comes with a remaster of Liberation HD (a remaster of a remaster?) as well. This remaster came out March 29, 2019 and either is free with your Assassin’s Creed Odyssey season pass or in the store for $40. The season pass for Odyssey costs $40 so you have almost no reason to not have that marvel of a game and its DLC packs. So, is it worth a revisit after so many years? Or perhaps, for those who haven’t played it, a decent entry?
There will be a video on this in the near future but this title is the subject to a bit of controversy. If you look for graphical comparisons on Youtube, you will see that some of them imply it to be superior, yet others imply that it is worse. Whether it is misrepresenting the game on purpose or not, this review is from the “Xbox One X” version of the game, so the most graphically powerful console release. I can personally confirm that the release is highly superior in the graphical department. With the exception of a handful of faces, you’re getting better looks across the entire board. You have better color with HDR, lively landscapes, and incredible textures.
You can’t really change an entire story in a remaster, can you? What you CAN do is try to engage your player more this time around. AC3 tells the story of… Haytham Kenway? Yes, the game pulls a reverse Metal Gear Solid 2. A sizeable chunk of the game has you playing as a character who is completely absent from all of the marketing materials. After a while, you do finally get to Connor or Kanien’kehá:ka (don’t try to pronounce it, just give up). The problem with this character is the game gives him a very rich setup due to the events of the first hours of gameplay. Yet at every turn, Connor manages to remain as dull as humanly possible. More on that in audio.
The other issue is that the setting doesn’t really do a good job at expressing the ins and outs of the Revolutionary War. Sure, there’s a lot of text you can read, but in terms of the game on its own, you basically just jump in and out of several world-famous events. Funnier is that it implies that Connor was at the front of all of them. Paul Revere? Connor? Boston Massacre? Connor. Boston Tea Party? Connor. The freaking battle at Chesapeake Bay? Connor.
Really stretching the believability, but then again this series more firmly expresses itself as alternate history. This makes the second time around a lot more enjoyable. Not to mention, I personally was able to focus more on a lot of content I had to pass on because I was so eager to finish.
It’s not every day you come across a voice actor who is a direct descendant of American indigenous tribes with a fine understanding of their languages, but here we are. Noah Watts, of the Blackfeet nation, voices our protagonist Connor. He speaks English and… not English. #OnlyTheFacts | Now, as said before, Connor is a dry and wooden protagonist. This is really not the fault of the actor. The dialog given for his character contains little in the way of flair or emotion. He speaks very directly at all times. He comes in two flavors, deliberate and agitated. That’s it. The rest of the cast wasn’t too great either. As for SFX? They’re mediocre. Nothing wrong about them but nothing to grab your attention.
I must make it painstakingly clear though, this game has one of the GREATEST original scores in the entire Assassins Creed franchise. That genuinely made the game a good experience overall. Quite emotional too, making up for some of the acting.
So, at the time it came out, AC3 had a bit of a difficult learning curve. A lot of the combat mechanics, controls, and gameplay style of the game change in the transition from the Ezio trilogy to III. However, coming directly off of AC: Odyssey, the game is retroactively easier to come to grips with. If anything, the game feels more limited. No dedicated stealth mode button. Combat is the old style of “counter-attack kills” that were prominent in most of the series. The simplicity of the game in comparison to the new game actually made it feel a bit more streamlined. It was almost arcade-like to play this game after every game we’ve had since.
It also seems as thought a lot of changes streamline the overall experience. Some redundancies were eliminated. Enemy detection appeared to be slower. The ship combat was easier to handle. Every step of the way, quality of life improvements are there, on every front. Oh, and the load times, those are some short load times. Especially for fast traveling and desynchronizing.
The fact that I took my time to play through more of the game is a very big deal. This time around, I bothered to unlock all the fast travel locations in the underground. It was a bit grindy, but manageable. The silly “homestead” missions actually felt like they were worth the time. That is despite the fact that the “convoy” system of the game was an absolute waste of time and needlessly complicated. I did all the district liberations and recruited all 6 support assassins. I did several of the optional naval battles. Not everything could be helped. The almanac pages are still dumb, as are all of the other fetch items the game throws at you. But I must stress that above all else, I had a much, MUCH better time playing this game again. I was supposed to be playing other games, yet I kept coming back to this re-release time and time once more.
Assassin’s Creed III Remastered is a huge improvement on the original iteration. Between the streamlining of gameplay elements, the simplicity, and the visual quality? This is a good remaster that has been released at exactly the right moment. If it has been a while since you last played, give it another shot. If you’ve never played it, also give it a shot. And ignore the real world plot, it’s still crap.
If I find time, I would like to play the Tyranny of King Washington DLC as well as Liberation, but that will have to wait.
Legacy of the first blood has concluded with the final chapter, Bloodlines. In our last video on this, Chet went through a series of questions as to what was in store for us on this episode. Turns out, some of those guesses were true. Have a look and see what Chet totally called back in January.
Chet supports AC: Odyssey’s Season Pass. 3 episode DLC, a $40 game, and then another 3-episode DLC, it’s absolutely worth it.
Robots forgo hostile human takeover and settle for subjugating us by making addictive video games instead.
Ubisoft, has found a winning formula for their video games. We all know this. And they are sticking to it like a bear on honey. For one thing, almost any game from them will have an absolutely gargantuan map. That and an absolute ton of copy-pasted assets. These same games also follow a pretty simple formula. From Ghost Recon Wildlands, to FarCry, to Assassins Creed, your goal in the game is very simple. You open your map screen, there’s a bunch of things to do. You click on one of the things, and then you go there to do the thing. Then the game rewards you for doing the thing. Then it gives you some things and then unlocking more things to click on and go to.
This “carrot on a stick” form of game design is utter genius. Many gamers, present company included, are perfectly content with these time-devouring opulent offerings. Ubisoft has never been more confident that they have a winning formula until now. Just look at their recent offerings. The Crew 2 is a game with a map that is vaguely the size of the entire USA. They loaded it up with a bunch of pinpoints full of races for different types of vehicles everywhere.
So it begins…
That’s why Ubisoft was proud to announce this in a recent PAX East interview. They want to take the design of their games to the next level. Starting production in May, Ubisoft New Jersey will start on their next Assassin’s Creed title. But this is no ordinary dev team, as Ubisoft New Jersey runs completely run by automation. That’s right, the dev is actually a smart AI called U.B.I.S.O.F.T. (Which is short for Universal Binary Interface Siumulator of Future Technology). Several UBISOFTs will be operating day and night to crank out the next edition of your favorite title.
Ubisoft producer Marc-Alexis Côté mused on this exciting event. “We already know how to make a game that everyone will want to play. We have it down to such a science, that we soon won’t need developers anymore. The UBISOFT AI is perfectly capable of replicating our formula. It has already designed the entire map of the next game. It’s 8 times the size of Odyssey”. When asked if this would decrease morale among the human developers of Ubisoft he was resolute. “Well, the elimination of jobs by robots is just part and parcel of living in a society.”
Right now, nobody, not even Ubisoft themselves, know what the plot of the next game will be. Not even the location. The robo-team at Ubisoft NJ will be performing its own internal company showcase. “Everything is so easy to make. Our AI team will be doing all tasks for this project. The script and the main character will be made by our robot friends. We’ve also asked them what they are going to do for voice talent. They said they’ll either hire somebody on their own, or they might even do the acting themselves! Isn’t that neat? They are so smart they literally don’t need any humans to help them make this game work.”
By the way, this interview? It was also performed by the UBISOFT AI. They used their network database of every Ubisoft E3 show ever. After, they constructed a hologram of Aicha Tyler to ask all these questions. The likeness was completely uncanny, including her saying really awkward things that made the entire audience uncomfortable. Digi-Tyler asked Marc if they even knew the title of the game, he admitted something interesting. “We aren’t sure what they are calling this new project yet. But they’ve already presented several working titles based on the titles of other games on the market. It will still be called Assassin’s Creed, but the subtitle is either going to be: Redemption, Revolution, Sisterhood, and Revelations IV.”
Right now the UBISOFT is downloading all the assets used from every Assassins Creed game ever made and will be making slight modifications to them so they look newer. Another arm of the AI has already started distributing random pins on their map where they will eventually add quests to. Expect to hear more about this at E3 this year. The current one.
In case the slow dip into insanity wasn’t enough to tell you, this article is SATIRE. Seriously, Ubisoft New Jersey? C’mon, you know better than that. A simulation of Aicha Tyler? Really? Actually no that would be pretty cool.
What’s the big deal? It seems there’s a group of people out there who have a problem with how the second piece of Assassins Creedy Odyssey’s DLC ended. Legacy of the First Blade is now on chapter 2, Shadow Heritage. And heritage it has. The game lets you widely make your own decisions and choose how the events unfold. But in the ending of this particular piece of content, the ending is forced upon you.
Now, certain ‘special interest groups’ on the net have been foaming at the mouth, angry with this transgression. And the ‘who cares’ brigade has been firing back on them. This ending was such a big deal that eventually, Ubisoft folded an announced that they will change the ending. This hasn’t happened since Mass Effect 3, although that was a much bigger issues overall. The damage is done and the future is uncertain. We have no choice but to wait.
We are now accepting DONATIONS. Please and thank you.
Is it really a stretch that the main character fought mythical beasts?
An interesting topic was brought up in a thread about the latest Assassins Creed. A commenter said that the inclusion of magical elements and legendary beasts we a step too far. Sure, by now we all know that the AC franchise take many creative liberties with history. But in a game where you can relive the memories of ancestor via DNA sample isn’t really hard sci-fi, is it? But yeah, the jump between pre-movie AC games and the newer post-movie AC games does mark a striking change in some of the established lore of the series. (BTW, don’t watch the movie, just using it as a point of reference here.)
Very minor spoilers for Odyssey, but there are optional boss fights with beasts of legend from Greek folklore. But it’s not that surprising is it? After all, we do know that the people of the “first civilization” enjoyed messing with early humans. But is it a step too far anyway? It’s still the memories of the ancestor, so you should see what really happened, right?
No, actually. Coming up toe to toe with the Minotaur actually might make a bit of sense. The key operating word is that we are exploring memories. The game already likes to throw around the “memory glitch” or something as a handwave to issues. But that’s a weak excuse and there’s a better explanation. Memories can be distorted over the years. Some things aren’t quite how you remembered them.
Like how to spell the BerenSTEIN Bears or whether or not Sinbad was a genie. No, I’m not trying to invoke the Mandella Effect but… Well, yes I am actually. The stories are stories for a reason. Do we remember who killed Medusa? Was it the gods or just that Kassandra person?
Okay, so why is it okay then?
But really what it comes down to is this. It’s perceptions that paint these memories the way they do. When Kassandra defeats the legendary beast, the moment she takes the artifact, the ‘monster’ quietly transforms into a little Sackboy, basically. Were the ‘gods’ just messing with Kassandra’s head? There’s no way to know for sure.
But we do know that Kassandra believes she defeated these beasts. It is what she thinks she did. So when you’re in the animus, exploring her memories, its going to show you she actually felt about the fight. Maybe the Minotaur was just a slightly oversized bull that she had a hard time with. Maybe Medusa was just a sickly woman using superstitions or herpetology to fight back. Maybe she ate some psychedelic mushrooms on her way to the Sphinx?
In the film 300, the bombs that the Persian army chucked at the Spartans were referred to as magic. As is the case here, I believe. Whatever happened, Kassanda had her very own explanation for what transpired. Simply a matter of what she believes. And if she truly believes that she fought mythical beings, then that’s what the animus is going to show you. It’s not magic, just perception.
MALAKA! Chet has played about 90 hours of Assassins Creed Odyssey and doesn’t expect to stop any time soon.
By now I’ve found a missing person I’ve been looking for, killed a few “Templars,” found the lost city of Atlantis (sort of), and now have to win a war and compete in the Olympics. That’s right, I have four main quests to play on top of all the side quests I’ve been accumulating. The islands you can sail to in this game always have great side-stories that are totally optional. Now that I’m 44 hours in, I can safely say I might be done with one third of this game. Maybe. It’s possible. Give or take. The unfathomably popular Stealth/RPG (stealth optional) series developed and published by Ubisoft is now at its tenth main series game. Assassin’s Creed Odyssey adds even more elements to make it an even further evolution from the roots of the franchise.
This game is absolutely stunning, even on my sub-par Xbox One S. Stable frame rate, great coloration, variety, it’s all there at the baseline for a good looking game. What makes it look better is the sheer marvel of the whole thing. Ubisoft didn’t just make a few cities in Greece for their game. They made ALL OF IT. And it feels like they did, too. Everywhere you go there are gorgeous busts and statues, temples, altars, and residences that are all fully realized. I want to know where they got the time machine so they could take photos of Ancient Greece and use it as references for the designs. It’s the empire in all its glory. An absolute marvel to stand at the top of a mountain and look in every direction. In the distance, you can see all the ships in the water going about their business in real time. You can see other landmasses across the water and know that if you can go there if you want to. There… might be a few minor hiccups and glitches in some of the animation, but that is literally the only bad thing I can think of. And the sheer beauty and aesthetics more than excuse that.
I admit, at the beginning of the game, it’s hard to get into the plot. You are not really sure what you are supposed to be doing. The grand scheme of things is boiled down to simply leaving your home island to go on an adventure because you’re sick of being at home. There’s a goalpost, sure, but it’s far and not too tantalizing. This is definitely the type of game that you have to spend time with to get into the swing of things. The overarching narrative becomes far more clear well towards the 15-hour mark of the game. Once it does hit, it does so with ruthless efficiency. The way the game’s campaign works is the prime form of dangling the carrot in front of the player. It’s hard to imagine you would run out of things to do after being far enough in the game to really open up to the “go wherever you want” phase. Four main storylines. Every location story has its own stuff going on. I was on an island where I helped a young child make some friends while also meddling in “The Bachelor: Greece Edition”. Then I had to overthrow an evil ruler running another island ragged while hooking up with the sexy leader and her boyfriend if I so pleased. Hell, I had to take part in a gay orgy with a goat just to advance the plot. I’m not even remotely joking. A goat was involved. And Sokrates turns out to be the world’s first internet troll. Good times.
I’m going to mention one prevailing bug in the game that hurts the audio quality in a way. On a regular basis, around twice or more per hour, when you talk to an NPC, you or the character will interrupt each other mid-sentence and say lines on top of each other. It’s annoying. Some of the secondary characters don’t seem really committed to their parts, while other characters go full ham. The voice actress for the soundtrack gets old really fast. With such a big scope, I really, REALLY get tired of hearing the same music every time I open the menu. And the main “Assassin’s Creed Theme Leitmotif” is sprayed over every other song too. It gets old fast. I may eventually have to turn the music off and just play my own tunes or a podcast over it instead. Which would be great because I’m in the perfect setting to put my ｖａｐｏｒｗａｖｅ collection on full blast. But still, this is just the soundtrack I take issue with. The actual sound FX and quality of sound is tremendously satisfying. I will give the full grade because I’m being too personally harsh on the OST, even though it’s objectively decent.
There are many on the internet who say this game has become too action oriented. Sure, the formula has been changed, but it’s been heading this way for a while now. The fact is, you can still play this game stealthy if you want to. There are just more rules to it because you can’t assassinate people who are at a higher level than you. The majority of the EXP you earn will be from completing quests, not kills. So if sneaking in and out of an enemy base is your idea of fun, there’s plenty of that to be had. Yes, open conflict is a bigger part of the game now. It’s the play-it-your-way model that prevails. But everything in the game works and does accommodate for all play styles. Shoot everyone with a bow, bludgeon people with a hammer, death from above, and Sparta-kick your enemies of a cliff. There’s plenty of gameplay to be had here, as iterated above.
Ship combat makes a return to the game and I boldly welcome it as a delicious appetizer to sate my hunger for a good pirate game until Skull & Bones arrives. But that said, it’s a bit more minimalist than it’s predecessor, as there was less maritime war tech in this setting. They have also implemented a mercenary hierarchy that mimics Shadow of Mordor’s Nemesis system, but it is also bare bones by comparison. Hunting down a devious death cult is the replacement for the assassination quests, but you have to put in the legwork to identify who they are. There’s also a conquest mode where you can take part in a big fight between the Athenians and Spartans. You can also change whichever team you’re on for every battle. You can also fight mythical beasts from Greek folklore, because hey, why not? This all may make it sound like it’s quantity over quality. And to an extent, yes it is. But set in this game, it’s actually not a big issue, it just works.
And now for a bit of controversy. Ubisoft has no problem putting expensive microtransactions in their fully priced games. It gives them big money, they have a right to. However, as an experience, they nearly broke their goodwill on a portion of this game. That’s the progression system. In order to level up or afford things, you have to do more than just missions to get enough EXP to progress. You’ll have to do a lot of mundane-out of the way stuff like exploring caves and attacking small camps at question marks dotted all over the map. I found myself in a position where I was two levels too low to progress through the game because the game is harsh if you are under-leveled. Ubisoft remedied it by offering a buff that will get you 50% extra EXP and money for the whole game, including new games. You have to at least buy the 20 dollar helix credits pack to get this. If you don’t, the game can get very grindy. Plenty to do is one thing, being forced to do everything is another. I caved and bought this buff, and it feels like this is the way the game was supposed to be played. It seems as though this was intentionally done to goad extra cash from the player.
I am willing to forgive this transgression because it was on me to make that choice in the end. I could have bucked up and cleared out every single icon on the map to take the game nice and slow. But, be that as it may, I cannot stop playing this game. Even with the buff, I did manage to get myself into another situation where I was under-leveled. But I kept playing and playing and playing. I told myself I had to stop at 11 PM, then 2 AM rolls around and I’ve conquered another city. I am willing to accept that the price I paid to make this game more enjoyable is worth it because of the amount of fun I’m having with it. Before tax, I paid a total of $68 for the game with the helix credits. That is an acceptable price for this game. I don’t know if I will finish any time soon, and I’ve had plenty of time to play.
Ladies and gents, once again it is that time where you are paid for your continuing service as a subscriber. Here, we have the free games given to Xbox Live Gold and PSN Plus members. No fuss, no buss, just brass tacks. Do you want to know what games you are getting? We have them here.
Xbox Live Gold
Battlefield 1 – Did you miss last year’s Battlefield entry? Trying to make the old wars cool again, Battlefield 1 was a breath of fresh air in a series that was starting to lose its way. Featuring a lot of anachronistic weaponry, high concept weapons, and outrageous single player stories, it was a blast. Literally too. Before Battlefield V drops, you have a FREE chance to catch up on all the exciting action from this previous entry. Yes, previous, I know, the numbers make no sense.
Race the Sun – This is a simple yet addicting game where you drive super fast on an endless route. Your goal is to make sure the sun stays on the horizon as you navigate difficult obstacles in your way. The game can be rather brutal with its checkpoint system, but it’s still fun. Free is nice too.
Assassins Creed – The original. The source of it all. One of the most popular franchises in the video game world got its start with this one. It’s a flawed experience with several nags that make it less than excellent. But AC2, of course, improved everything, molding it to what is today. That said, this version of the game is interesting because even though it is a 360 title, it has Xbox One X enhancement, including an improved resolution and texture details. It actually looks relatively good for its age.
Dante’s Inferno – No, not the book. The brawler game. This particular title was noted for some of the crazy publicity stunts EA pulled off during its release. It had a fake religious group protesting it at E3. And they sent a handful of copies to devs with some very bizarre circumstances that were related to the seven deadly sins. In fact, the crazy campaign was more memorable than the actual game was. It’s an okay brawler game.
BulletStorm: Full Clip Edition – This was a fun shooter that EA needlessly made a remaster for and charged full price. It features a game that puts a big focus on making the player get creative with their kills. You get points for killing enemies, but you get more points if you’re creative about it, like in midair, or hitting them with a whip, etc. This game had a unique marketing gimmick where EA released a fake Call of Duty game to advertise for it and HOLY CRAP I’M SEEING A PATTERN HERE. I’m onto you, EA!
Yakuza Kiwami – There’s never been a better time to dive head-first into the amazing Yakuza series. This remaster of the original classic makes the game look like a title that came out recently. It’s the kind of remaster that really put in the effort to make the game look better, rather than just upscaling the resolutions and calling it a day. Looking at you, Shenmue 1 & 2 ‘HD’.
Jackbox Party Pack 2 – The Jackbox games are a collection of party game that, while launched on a console, you actually play on your smartphone with up to 8 friends. The second party pack has two outstanding games that are great. It has Quiplash XL, a game where the player is prompted with a topic and has to come up with a funny response. Literally, the funniest person wins. It also has Fibbage 2, a game where tough and bizarre trivia questions are asked. As the player, you get to submit your own wrong answer, then everyone tries to guess the correct answer. You get points if you make people fall for your fake answer. A total blast at parties and the ease of use is fantastic.
Arkedo Series – This just looks like a series of indie pixel games. Whatever.
Burly Men at Sea – Okay Sony, first Arkedo and now this? What are you even doing?
Roundabout – This is not a song by 70’s prog rock band Yes, but is, in fact, a game where you drive a limo around a map. But the limo is constantly spinning and you have to time your movements to the rotation of the car in order to avoid obstacles. It’s a wacky game that features some fun live action cutscenes. The low budget of this game bleeds through it, and a ton of people gave the game a bad review just because it came out at the turn of a new generation of games and didn’t look stunning.
Nintendo Switch Online
The free virtual NES games this month are:
Mighty Bomb Jack
All consoles have some friggin amazing titles on offer here. Battlefield 1 was a fine game with a very robust campaign, so even if you’re concerned that not many people are playing online, you still have a great single player experience. Race the Sun is a bit low rent, but having the enhanced Assassins Creed is a great piece of gaming history to have on hand. I mean, it literally INVENTED the tower climbing mechanic you see in every game now. It will be especially interesting to see how well it holds up. As far as Dante goes, it didn’t sell that well, but if you are curious as to what you missed out on, nows your chance to peep it.
PS4 has some strong current gen entries. Bulletstorm was also not a big hit and vastly overlooked. In fact, you probably didn’t know that they just randomly added Duke Nukem to the new version. Did you know that? You do now. And after that, Yakuza Kiwami 2 JUST CAME OUT, so it’s a great time to play it. That said, you may find that you don’t have enough time to play the sequel because Yakuza games are big. That said, with the exception of the Jackbox games, the rest of the Sony titles are considerably lackluster, I wouldn’t bother with the last 3 on the list.
NES on Switch, on the other hand, has a major game up its sleeve. The original Metroid is an all-around classic. I personally have never played a SINGLE MetroidVania title. Sad huh? But what better time to start than right now, while it’s free? If it’s free it’s for me right? That is the title of the series after all. The other games? Never heard of them.