Just pick your favorite platform and jump on it. Except Twitter. Stop giving people reasons to go to twitter. It’s already enough that I embedded to Xbox Series X tweets in this little article.
Of course, the top Juggernauts of the industry are also doing their own streams, name IGN and GameSpot. Maybe if we just ignore them they’ll go away? I’m not saying you should watch the official stream instead but…
Oh hey another tweet!
Boot up Xbox 20/20 with a new episode of #InsideXbox this Thursday, May 7 @ 8am PT for a First Look at Xbox Series X gameplay from our global developer partners.
Despite what some online comparisons indicate, the remaster is the superior version of the game.
Let’s preface this one differently. I was a big Assassin’s Creed fan but AC3 greatly reduced my love for it. And Unity murdered it. When I played that game all those years ago, I was disappointed on all fronts. I was also setting really high expectations that could not be reached. And I wanted to beat the game before the real life “December 21, 2012” end of the word scenario so I rushed through all of it. Hated the difficulty, the setting was underused, Connor wasn’t a good protagonist, and lots of bugs and grievances with the detection settings for NPCs.
Well, I either completely sucked back then, or Assassin’s Creed III Remastered is a much better experience. This re-release comes with a remaster of Liberation HD (a remaster of a remaster?) as well. This remaster came out March 29, 2019 and either is free with your Assassin’s Creed Odyssey season pass or in the store for $40. The season pass for Odyssey costs $40 so you have almost no reason to not have that marvel of a game and its DLC packs. So, is it worth a revisit after so many years? Or perhaps, for those who haven’t played it, a decent entry?
There will be a video on this in the near future but this title is the subject to a bit of controversy. If you look for graphical comparisons on Youtube, you will see that some of them imply it to be superior, yet others imply that it is worse. Whether it is misrepresenting the game on purpose or not, this review is from the “Xbox One X” version of the game, so the most graphically powerful console release. I can personally confirm that the release is highly superior in the graphical department. With the exception of a handful of faces, you’re getting better looks across the entire board. You have better color with HDR, lively landscapes, and incredible textures.
You can’t really change an entire story in a remaster, can you? What you CAN do is try to engage your player more this time around. AC3 tells the story of… Haytham Kenway? Yes, the game pulls a reverse Metal Gear Solid 2. A sizeable chunk of the game has you playing as a character who is completely absent from all of the marketing materials. After a while, you do finally get to Connor or Kanien’kehá:ka (don’t try to pronounce it, just give up). The problem with this character is the game gives him a very rich setup due to the events of the first hours of gameplay. Yet at every turn, Connor manages to remain as dull as humanly possible. More on that in audio.
The other issue is that the setting doesn’t really do a good job at expressing the ins and outs of the Revolutionary War. Sure, there’s a lot of text you can read, but in terms of the game on its own, you basically just jump in and out of several world-famous events. Funnier is that it implies that Connor was at the front of all of them. Paul Revere? Connor? Boston Massacre? Connor. Boston Tea Party? Connor. The freaking battle at Chesapeake Bay? Connor.
Really stretching the believability, but then again this series more firmly expresses itself as alternate history. This makes the second time around a lot more enjoyable. Not to mention, I personally was able to focus more on a lot of content I had to pass on because I was so eager to finish.
It’s not every day you come across a voice actor who is a direct descendant of American indigenous tribes with a fine understanding of their languages, but here we are. Noah Watts, of the Blackfeet nation, voices our protagonist Connor. He speaks English and… not English. #OnlyTheFacts | Now, as said before, Connor is a dry and wooden protagonist. This is really not the fault of the actor. The dialog given for his character contains little in the way of flair or emotion. He speaks very directly at all times. He comes in two flavors, deliberate and agitated. That’s it. The rest of the cast wasn’t too great either. As for SFX? They’re mediocre. Nothing wrong about them but nothing to grab your attention.
I must make it painstakingly clear though, this game has one of the GREATEST original scores in the entire Assassins Creed franchise. That genuinely made the game a good experience overall. Quite emotional too, making up for some of the acting.
So, at the time it came out, AC3 had a bit of a difficult learning curve. A lot of the combat mechanics, controls, and gameplay style of the game change in the transition from the Ezio trilogy to III. However, coming directly off of AC: Odyssey, the game is retroactively easier to come to grips with. If anything, the game feels more limited. No dedicated stealth mode button. Combat is the old style of “counter-attack kills” that were prominent in most of the series. The simplicity of the game in comparison to the new game actually made it feel a bit more streamlined. It was almost arcade-like to play this game after every game we’ve had since.
It also seems as thought a lot of changes streamline the overall experience. Some redundancies were eliminated. Enemy detection appeared to be slower. The ship combat was easier to handle. Every step of the way, quality of life improvements are there, on every front. Oh, and the load times, those are some short load times. Especially for fast traveling and desynchronizing.
The fact that I took my time to play through more of the game is a very big deal. This time around, I bothered to unlock all the fast travel locations in the underground. It was a bit grindy, but manageable. The silly “homestead” missions actually felt like they were worth the time. That is despite the fact that the “convoy” system of the game was an absolute waste of time and needlessly complicated. I did all the district liberations and recruited all 6 support assassins. I did several of the optional naval battles. Not everything could be helped. The almanac pages are still dumb, as are all of the other fetch items the game throws at you. But I must stress that above all else, I had a much, MUCH better time playing this game again. I was supposed to be playing other games, yet I kept coming back to this re-release time and time once more.
Assassin’s Creed III Remastered is a huge improvement on the original iteration. Between the streamlining of gameplay elements, the simplicity, and the visual quality? This is a good remaster that has been released at exactly the right moment. If it has been a while since you last played, give it another shot. If you’ve never played it, also give it a shot. And ignore the real world plot, it’s still crap.
If I find time, I would like to play the Tyranny of King Washington DLC as well as Liberation, but that will have to wait.
Ubisoft and Tom Clancy have shared what is quite possibly the longest healthy relationship in all of gaming. Seriously, fact check it. And Tom Clancy’s The Division 2 is the latest entry into this abstract marriage. Released on March 15th, 2019 on Playstation 4, Xbox One, and PC The Division 2 is a third person multiplayer squad based action shooter. Developed by Massive Entertainment, The Division 2 aims to be the improvement of everything that was great about the first installment.
The Snowdrop Engine looked amazing 3 years ago when it was first used on The Division. Division 2 however, is the first true example of what the Snowdrop Engine is really capable of. As soon as the game launches everything looks incredibly amazing, but that’s not the big selling point. The big selling point is the amount of control, even on consoles, the player has over the visuals of the game. Ubisoft’s proprietary engine allows for so much customization to allow anyone to set the games visual to exactly how they’ll enjoy it most.
The freedom and control the Snowdrop Engine offers coupled with the fact that the game looks great is incredible. Every animation, from person to animal to explosion, looks fantastic. Nature blends itself well into the concrete settings of post apocalyptic destruction filled D.C. Character movements look and feel astonishingly natural, especially for a game so tethered to online. Take some time to kickback and just enjoy the scenery. It will not disappoint.
Within the world of the Division exist a major crisis. It’s been a little over half a yeas since the initial infectious outbreak that brought down the U.S. And now things are reaching anarchic levels of bad. Members of the Joint Task Force have defected and left the white house completely vulnerable to the Hyenas and the Outcast. The worst has literally come to fruition and there’s a lot of work ahead to make things better. The story itself is great however the presentation not so much.
Being an online multiplayer game diminishes the value of the story and makes it really hard to feel like a part of it. Lines between campaign missions and side missions are very blurred because the real gameplay goal is to become stronger. Very rarely does the game stop and allow for the narrative to position itself upfront and center. The focus was clearly on gameplay and shoot’em up mechanics over narrative delivery.
The Division 2 has a very unique sound design issue. The world is designed to be chaotic and feel unsafe. However, unless there is a nearby firefight the visual fidelity makes everything feel peaceful, somber, and a bit messy. It has a post car accident feel. Everything looks like something really bad happened, but that bad thing passed. The emptiness of the world makes space a very lonely audio feeling. The good news is this ambience is nearly perfect for an online squad based shooter. Considering most of the sound will be the nonsense chat amongst the squad.
Third person cover based shooters typically suffer from inconsistent character behavior. Everyone whose ever played has fallen victim to being completely exposed to the enemy because the game misunderstood your cover request. Division 2 has not entirely fixed this but it doesn’t suffer as much as other games. Not sure why, but not complaining. Outside of that major genre flaw, everything in the game feels great. The dynamics of weapon modification is pretty cool even if it suffers from the online game issue of racing to higher numbers.
A lot of the tactics of understanding weapon mods is removed because the overall goal is to increase the overall gear number. That number represents the truest strength of the character. The controls in action are super tight and have a vast number of customization options to fit any play style. And the development team is being super supportive of the community, listening to request and complaints.
Despite being a multiplayer game, The Division 2 is still incredibly fun as a single player game. The squad based combat with friends online is hands down the best way to experience this game. However, the experience alone is just as fun, especially if you don’t mind the added challenge of doing it alone. The frequency of ammo and supply restocks make it feel endlessly exciting. The thrill of an even match against enemies keep the action nonstop. Are far as third person shooters go, there really isn’t anything on the market as exciting as The Division 2.
The Division 2 is an incredible sequel and an incredible example of “games as service” done right. The load times could be better, but once the game is loaded hours could fly by without feeling gaming fatigue. Although Division 2 is an online multiplayer game, it is accessible to anyone who enjoys single player third person cover based shooters. Simply put, save for the lack of narrative focus, this is a great game.
Back in the 90’s there were two prominent developers of fighting games coming out of Japan. In one corner we had the almighty Capcom, home of Ken, Ryu, and the rest of the Street Fight gang. And in the other corner was SNK. Although there library is extensive, with titles like Metal Slug and Fatal Fury, King of Fighters is likely the most recognized title. That is if you ignore them also being the masterminds behind the Neo Geo.
In recent years their focus has been on repackaging their glory days in numerous SNK Collections and keeping the King of Fighters series alive. But it seems they are ready for more. And they are coming in blades drawn. After more than a decade, Samurai Shodown is back.
Samuria Shodown is a weapons based 2D fighting game. It’s like the Soul Caliber of 2D fighters. Anyway, the franchise is being rebooted for the modern era. SNK is even choosing to develop the game using Unreal Engine 4. The unexpected reboot is set to take place between the events of the original game and Samurai Shodown V.
Promising 13 of the original playable characters joined by 3 new challengers, SNK is ready to reenter the world of competitive fighting. Samurai Shodown will release sometime in June 2019 on PS4 and Xbox One. And PC and Switch versions will be coming later this year. Does this release window sound a bit scary? Fear not as skeptics are welcome to try out the new entry sooner.
Anyone attending PAX East this upcoming weekend in Boston will be able to get their hands on the game. SNK will also be hosting a panel, “Samurai Shodown: Resurrecting a Legend,” on March 30 from 4:30 to 5:30 p.m. ET featuring producer Yasuyuki Oda, director Nobuyuki Kuroki, and original Samurai Shodown director Yasushi Adachi.
Are you excited for a brand new Samurai Shodown? I know I am.
The original Crackdown game came out in 2007 and received a lot of attention after it was revealed that you would get access to the Halo 3 multiplayer beta if you bought it. That’s one way to get attention, and as a result, a decent number of Xbox fans got to play it. Crackdown 3 was originally teased at E3 2014 and has finally been released. It is a freeform sandbox action game developed by Sumo Digital and published by Xbox Game Studios. You play as an agent of “The Agency” a group of super-powered police, with extraordinary strength, aim, jumping, running, and others. Your goal is to take down a crime syndicate, and in this third installment, an oppressive corporatist regime. This particular game lets you play as, basically Terry Crews. Xbox fans have waited a long time for this console exclusive game, so how is it?
graphics in the game are a bit odd. It seems like they were trying to
be cel-shaded while not being cel-shaded. Some elements have that
cartoon look while others have some very defined textures. Absolutely
a mixed bag. But it’s not just the textures and bright neon lights,
the cutscenes are inconsistent as well. In the beginning of the game
you get a full animated, pre-rendered primer, which gets cut short.
After that you get motion-comic cutscenes that seem rather
low-effort. Then you also get in-game cutscenes here and there. The
last are the worst. I’ve frequently had animations fail, with my
agent glued to the air while a guy in a mech threatens you. Other
in-game cutscenes stutter. And this is on the Xbox One X. The
playable agents also appear to be a little lacking in quality. Terry
Crews as Jaxon looks fine, but the rest of the characters look like
they just used a face generator from Mass Effect. Andromeda. But with
that weird inconsistent cel-look.
I don’t know how you can do worse with a story like Crackdown, but they managed to do the unthinkable. They added a plot to the game that actually made it less enjoyable. In the original games, the plot was basically “Here are the bad guys, go get ’em”. This game gives all the enemies their own stories, but they are all really half-assed and emotionless. I cannot remember a single character’s name or what their deal even was. This guy is the chemicals guy because reasons. This guy is the guards guy because reasons. This guy has captured monorails cuz reasons. That moonshine stand needs to be destroyed because reasons. It would genuinely be better if I were just told to go at it.
But they try to characterize it so hard, it becomes cringe inducing, with motivations that don’t make any sense and asinine monologues. Worse off is the over-arching plot. Short spoilers for the very beginning of the game, the Agency is sent to a city to fight some kind of “blackout” but get killed in the process and time passes by a few years (I think). Next, a character revives your agent of choice and unleashed you into the city. The story is simply that the blackouts caused everyone to flee to the city because it still has electricity. No really. And then it turns out the city is run by a ruthless corporation, TerraNova, who immediately enslaves all the refugees. Yeah, makes perfect sense to me.
If you don’t particularly like it when you hear a lot of useless banter over the radio while you’re doing stuff, you are going to have a bad time. The legendary “Voice of the Agency” played by Michael McConnohie returns with a vengeance. The whole shtick with his character, is he’s sort of the real protagonist of the story since your agent doesn’t talk much. Both in the original games and this one, he frequently says dumb things over the radio based on what you’re doing, such as:
Skills for kills, agent!
Sounds like there’s a hidden ability orb nearby, you should look for
Burn baby burn.
Wow, now that’s an explosion.
In the original game, this quirk was done every once in a while, and it has a certain charm about it. However in 3, he has something to say every five minutes. It would get annoying real fast for most players. I like it personally, but objectively, it’s super obnoxious. Still, his voice is amazing, and he needs to do audiobooks. As for the other characters? Largely forgettable. They did very little with Terry Crews other than the opening cutscene. The soundtrack sounds like a royalty-free selection of faux-dubstep tracks that fail to impress. Most of the guns and explosions are pretty satisfying. Also, the iconic sound of the agility orbs are still there.
Rather than having any campaign missions whatsoever, the game has you just complete a series of objectives. You just do this until you clear enough to fight the boss in charge of those battle locations. So, no real campaign here, you basically just make your way around the map, playing section after section. To give it some credit, the main map isn’t full of empty spaces between objectives. All challenges are located relatively near one another. You won’t spend a lot of time driving because it’s so easy to jump from one to the next. Honestly, it’s a welcome change to have a more tight-knit experience than most sandbox games. But a sandbox it still is, and it has plenty of flaws.
activity has you liberating militia members by freeing them from
holding cells around the city. This activity will literally take you
one minute or less, as there aren’t that many guards, but even if
there are, all you have to do is jump over to the prisoner release
panel and hold LB. That’s it, you’ve freed the prisoners, and any
enemy in the area freezes in place while you get a “mission
success” screen. In another location, all you have to do is blow up
either machinery or storage tanks of a substance called “Chimera”.
I’d tell you more about it, but I can’t because I missed the one
point where they said what the stuff was and it’s not really brought
up again after that. Then in another, you have to capture monorail
stations because an evil AI is using them to… move drugs? Don’t
Had a hard time with glitches that were rather annoying. I’ve had input lag in sections where the screen gets busy, and other sections where the controls weren’t even responding. Also ended up getting an OP assault rifle in the middle of it the game. Once that happened, the game was barely a challenge. I might have to play it on harder modes to see if it’s better. Even then, once you piss off enough of the 3 different police factions? You get a city lockdown and are immediately inundated with enemies that are 4X as tough. When that happens, I just let myself die. It is more fun than dealing with that mess. The game’s idea of “challenge” is having you fight a boss while dozens of enemies spawn in at the same time.
I had fun in the 3 days it took to complete this game. Every achievement I got after the first boss was a RARE ACHIEVEMENT. That’s sad. The game is just out and I’m getting rare achievements because not enough people bothered to finish it? Oy. Anyway, playing Crackdown 3 felt like a retread of the original game. It was enough to take me back to when I had just started College and got the original game. But by the end of it, you get tired of the game. You may get bored after finishing a few bosses. It’s a pretty low effort affair. Then again if you just decide to start jumping around, collecting agility orbs and doing side activities, you may find a sort of Zen. Seriously.
Saints Row 4 took to this sandbox super-powers type game and made it an absolute riot. But this new title feels like it’s a huge step backwards. It’s less of a modern Crackdown and more of an Agents of Mayhem experience. Which also wasn’t very good (and that was the same devs as SR4). My roommate found the game fun because he had never played it before. So, don’t pay full price for this game. Don’t bother with it unless you have Game Pass. It’s cheap enough to get a three month pass for the amount of titles you get to play. It’s a mediocre experience but if you “rent” the game by getting game pass, you will find yourself with far superior titles to play afterwards.
Christmas time is approaching us yet again. Many have commented that the season seems to be approaching faster than usual. But there are two good reasons for that. One, my colleagues work in reatail so of course we get beat in the ass on it. But more importantly, with so many black friday, pre-black friday, cyber monday, and holiday sales, the time just seems shorter than ever, with good deals still abound. On top of all the sales that are inevitable, the big consoles are more than happy to give you some freebies.
Xbox Live Gold
Q.U.B.E. 2 – It’s portal but you move cubes around. Never Alone – A kid and a wolf go on a great adventure. Dragon Age 2 – It’s Dragon Age, but you’re just some rich kid who wants his house back. Mercenaries: Playground of Destruction – Off, this game is an old actioner.
Soma – A horror game where the scariest part is the looming existentialism. Onrush – A high-style, balls to the wall arcade racer. Steredenn – A considerably chaotic space shooter with an 8-bit color scheme. Steinsgate – Wait, this was a game BEFORE it became an anime? Iconoclasts – Oh look, another 8-bit game, but it’s an action scroller this time. Papers, Please – A game where you serve as border control but don’t have any tear gas.
Adventures of Lolo
You got a lot of good ones here. QUBE is a great puzzler if you’re a fan. You have two fantastic 8bit games on PS4, and and anime game to boot. Dragon Age 2 wasn’t received well critically, mainly because it’s a very focused game that takes place in one city instead of a sprawling adventure. Papers Please is a big indie favorite with tough moral dilemmas. The real show stopper here is SOMA, the horror game. It was originally released on steam, and a mod was made to remove the “combat” sections where you have to hide from monsters. It was called “wuss mode”. This was officially added into the Xbox One and PS4 releases as “peaceful mode”. Trust me when I say, this game isn’t less scary just because you aren’t being chased by monsters. The dark depths of the mind that this game takes you to can be challenging. It often deals with themes that are very hard to think about, circled around existence, death, and what comes after. Do not miss it. I hate most horror games, but it’s an absolute winner.
The past week or so, we were faced with some really good games. Like Let’s Go Pikachu and Let’s Go Eevee. And probably Warriors Orochi 4, I guess. But you know what wasn’t great? Fallout 76 and Battlefield V, two big ticket games. Both were set to make a splash in the crazy release season that is November. But neither could achieve what the wanted. Fallout 76 was vastly undercut by it’s monotony and lack of direction. Battlefield V was just the same Battlefield as always with a new coat of paint. BFV also had it’s critics for its inaccurate portrayal of WW2 by people on the internet, but that’s the internet. Everybody hates everything on the internet. Besides that, both games got major BETA playtests from regular users. This is honestly a good step, allowing the actual PLAYERS some advanced look at the game instead of some journalist who intends to write a giant think piece. Both of these games have a huge focus on multiplayer. Fallout 76 is the first major multiplayer game for Bethesda and Battlefield V is a multiplayer game with a campaign tacked on. Only their campaign was even shorter AND less interesting.
Either way, we haven’t finished enough of either to give you a consensus. But… if you are absolutely dying to play an online shooter game, we have something interesting for you. We are going to compare the games using our review system. But instead of the score, we are going to say which game did it better! Let’s start, shall we?
Battlefield V is flat out gorgeous, with heavily detailed maps and great lighting that really set the mood for a lot of maps. There are some glitches but it works for the most part. The smoke grenades set up some serious smoke particle FX. And the detail of the character faces is surprisingly detailed for a game that doesn’t have too much focus on what the player looks like. Fallout 76 looks… exactly like it did several years ago. Fallout 3 and New Vegas never looked that great. Fallout 4 didn’t look that great. Fallout 76? It’s markedly improved, sure. But does it look great? No way, it looks as trashy as its level design and full of all sorts of ugly textures. Several of the ugly textures have taken more than 20 seconds to pop in. Yikes.
Victor: Battlefield V
Battlefield V is one of the many, many, many, many iterations of World War II presented in game form. Somehow, it managed to make history even more boring, despite trying to spice things up with some creative historical fiction. What you get here is a mere 3 stories, as opposed to 5 in the previous entry. It’s really hard to feel anything for these characters because you spend such a small amount of time with them. It ends up being boring. Fallout 76 is boredom incarnate. Using the gaming worlds least interesting way of telling stories, any thing plot related in the game is played out in VERY LENGTHY audio logs. They can’t be paused or fast forwarded. If you interact with your pip-boy and click the wrong thing, the tape will stop and you have to start it over. Other than that, you only other window into the events of the game are logs written on terminal screens. In old Fallout games, this was done for lore. In 76, they are main story points. Super lame. All the same, when it comes down to brass tacks, it would seems that Fallout 76 still has a better overall story. Having a ton of lore is better than a bog-standard WW2 plot.
Victor: Fallout 76
Battlefield V has all the standard sounds you’re used to hearing. The audio was on autopilot in this regard. Every single gun sounds like it did in every other game. You will not in any way be inspired by the sound design of the weapons, nor will you be interested in the orchestral OST. It’s there because it’s supposed to be there, not because it wants to do something engaging. Fallout 76 surprisingly has a decent OST going for it. The ambient music that plays while you’re wandering the world is noticeably better then previous versions. It’s actually notable and really adds to the mood of the game being very lonely and desolate. And if that doesn’t tickle your fancy, there’s always the old sock-hop records to keep things going. The fantasy weapons also have wonderful unique sounds.
Victor: Fallout 76
In Fallout 76, you are bombarded with nonstop activity. The game is always online, so that means no pause menu. If you want to look at the map, it’s realtime. If you need to sort your junk on your Pip-Boy, that is also real time. There is nowhere safe to be when you play this game. You absolutely will be bombarded by enemies at any and all opportunities, with very little time to rest and get a bearing on things. In Battlefield V, the campaign is atrocious. But the multi-player is on point. It weird, the game is so much better in multi than single. It makes you wish the they skipped the campaign, instead of Black Ops. Anyway, the game is direct and lets you “play it your way”, which is very important. Divided into four classes, you can spawn is as a specialist in Assault, Medic, Recon, and Support. Don’t let the names fool you, all of them are combat roles. It’s what you do with them that matters. Either way, BFV manages to be a great shooter while Fallout 76 stays wonky as ever.
Victor: Battlefield V
To put it simply, there’s an easy dichotomy here. Fallout 76 has a “make your own fun” approach to game design. If you want to have any fun, you want to team up and do fun stuff together with your friends. Otherwise it’s a drag. Battlefield is good at grouping you with interesting colleagues that you help out during the many combat modes. Even if you aren’t on voice chat, the game finds a way to make you feel connected with your squad. It’s admirable that it manages to gel so well with random strangers. Meeting random strangers in Fallout 76 are few and far between. They are also as underwhelming as ever.
Victor: Battlefield V
It is clear that the winner is Battlefield V with a victory spread of 3-2. We haven’t heard too much of the game in the blogosphere of gaming. But this may be because the game just… is fine. It’s not spectacular. It’s just fine. Despite early complaints, the bottom line is that BFV is a better experience than Fallout 76. If you need a brand new game to satisfy your itch for fast paced, online, multiplayer shooter action, you could do worse than picking up the latest Battlefield. Me? I got so bored during the campaign that I jumped into multi. I never do that. Not until this iteration. How surprising!
Picture this. It’s the middle of August. Chet finishes his 3rd round of selecting new released to pre-order for Q4. The decisions were tough, and several interesting games had to be nixed. That’s when the big question hits. Red Dead Redemption 2 is coming out this year. For realsies. Chet and Vega stare at this and ponder who should cover the game.
Vega doesn’t like open world games for the most part. He also doesn’t like westerns very much. He has plenty of other Japanese games to play because he is an unabashed Sony fanboy. Chet has played so many open world games by then, he doesn’t want to play it either. He also doesn’t like westerns. So they asked some of their regular contributors to look at the game. One contributor hates all modern games so he was out. The other was stuck playing another game and didn’t want to stop, so he was out. Who will play this game?
Then we thought… do we actually have to review Red Dead Redemption 2? Do we REALLY have to? What crazy thing could we possibly say about this game? This game obliterated sales figures as expected. It sold 15 million units so far, and that’s just physical copies. We knew in our head that not even Call of Duty could touch the heaps of money that RDR2 would make (however, that said, Black Ops 4 did pretty good compared to the last few titles).
It was no surprise that the game sold what it did. It had to. It’s a Rockstar game. They are responsible for the most profitable piece of media ever made with their figures for Grand Theft Auto V. They know how to sell. But we just weren’t having it. But we did hit a bump on our way through the winter release madness.
Vega got a game he didn’t want to play since it required too much knowledge of the anime that it was based on. That got returned. But what did he get instead? RDR2? No, he got Warriors Orochi 4. A game he deserves because it follows the traditional roots of warriors game, and not the abomination of Dynasty Warriors 9. Good on him. Then Chet received Let’s Go Pikachu and he hasn’t played a pokemon game in decades. But, despite thinking that the game requires pokemon go, it’s actually a full experience on its own, so he was down to give it a shot too.
We don’t need RDR2. If you are reading this right now, its 95% likely that you already bought the damn game and came here wondering what was wrong with us. Nothing is wrong with us, we don’t like westerns and we all have shit we’d rather play. Vega has a ton of multi and figting games, Chet has Assassins Creed and Forza Horizon, both of which he cannot stop playing.
And that’s just it. Despite having several titles we have to miss and several titles that are must-plays, this game isn’t on the list. We don’t need it to be on the list. You’ve played it, you’ve seen the metacritic scores, that’s all there is to it.
By now I’ve found a missing person I’ve been looking for, killed a few “Templars,” found the lost city of Atlantis (sort of), and now have to win a war and compete in the Olympics. That’s right, I have four main quests to play on top of all the side quests I’ve been accumulating. The islands you can sail to in this game always have great side-stories that are totally optional. Now that I’m 44 hours in, I can safely say I might be done with one third of this game. Maybe. It’s possible. Give or take. The unfathomably popular Stealth/RPG (stealth optional) series developed and published by Ubisoft is now at its tenth main series game. Assassin’s Creed Odyssey adds even more elements to make it an even further evolution from the roots of the franchise.
This game is absolutely stunning, even on my sub-par Xbox One S. Stable frame rate, great coloration, variety, it’s all there at the baseline for a good looking game. What makes it look better is the sheer marvel of the whole thing. Ubisoft didn’t just make a few cities in Greece for their game. They made ALL OF IT. And it feels like they did, too. Everywhere you go there are gorgeous busts and statues, temples, altars, and residences that are all fully realized. I want to know where they got the time machine so they could take photos of Ancient Greece and use it as references for the designs. It’s the empire in all its glory. An absolute marvel to stand at the top of a mountain and look in every direction. In the distance, you can see all the ships in the water going about their business in real time. You can see other landmasses across the water and know that if you can go there if you want to. There… might be a few minor hiccups and glitches in some of the animation, but that is literally the only bad thing I can think of. And the sheer beauty and aesthetics more than excuse that.
I admit, at the beginning of the game, it’s hard to get into the plot. You are not really sure what you are supposed to be doing. The grand scheme of things is boiled down to simply leaving your home island to go on an adventure because you’re sick of being at home. There’s a goalpost, sure, but it’s far and not too tantalizing. This is definitely the type of game that you have to spend time with to get into the swing of things. The overarching narrative becomes far more clear well towards the 15-hour mark of the game. Once it does hit, it does so with ruthless efficiency. The way the game’s campaign works is the prime form of dangling the carrot in front of the player. It’s hard to imagine you would run out of things to do after being far enough in the game to really open up to the “go wherever you want” phase. Four main storylines. Every location story has its own stuff going on. I was on an island where I helped a young child make some friends while also meddling in “The Bachelor: Greece Edition”. Then I had to overthrow an evil ruler running another island ragged while hooking up with the sexy leader and her boyfriend if I so pleased. Hell, I had to take part in a gay orgy with a goat just to advance the plot. I’m not even remotely joking. A goat was involved. And Sokrates turns out to be the world’s first internet troll. Good times.
I’m going to mention one prevailing bug in the game that hurts the audio quality in a way. On a regular basis, around twice or more per hour, when you talk to an NPC, you or the character will interrupt each other mid-sentence and say lines on top of each other. It’s annoying. Some of the secondary characters don’t seem really committed to their parts, while other characters go full ham. The voice actress for the soundtrack gets old really fast. With such a big scope, I really, REALLY get tired of hearing the same music every time I open the menu. And the main “Assassin’s Creed Theme Leitmotif” is sprayed over every other song too. It gets old fast. I may eventually have to turn the music off and just play my own tunes or a podcast over it instead. Which would be great because I’m in the perfect setting to put my ｖａｐｏｒｗａｖｅ collection on full blast. But still, this is just the soundtrack I take issue with. The actual sound FX and quality of sound is tremendously satisfying. I will give the full grade because I’m being too personally harsh on the OST, even though it’s objectively decent.
There are many on the internet who say this game has become too action oriented. Sure, the formula has been changed, but it’s been heading this way for a while now. The fact is, you can still play this game stealthy if you want to. There are just more rules to it because you can’t assassinate people who are at a higher level than you. The majority of the EXP you earn will be from completing quests, not kills. So if sneaking in and out of an enemy base is your idea of fun, there’s plenty of that to be had. Yes, open conflict is a bigger part of the game now. It’s the play-it-your-way model that prevails. But everything in the game works and does accommodate for all play styles. Shoot everyone with a bow, bludgeon people with a hammer, death from above, and Sparta-kick your enemies of a cliff. There’s plenty of gameplay to be had here, as iterated above.
Ship combat makes a return to the game and I boldly welcome it as a delicious appetizer to sate my hunger for a good pirate game until Skull & Bones arrives. But that said, it’s a bit more minimalist than it’s predecessor, as there was less maritime war tech in this setting. They have also implemented a mercenary hierarchy that mimics Shadow of Mordor’s Nemesis system, but it is also bare bones by comparison. Hunting down a devious death cult is the replacement for the assassination quests, but you have to put in the legwork to identify who they are. There’s also a conquest mode where you can take part in a big fight between the Athenians and Spartans. You can also change whichever team you’re on for every battle. You can also fight mythical beasts from Greek folklore, because hey, why not? This all may make it sound like it’s quantity over quality. And to an extent, yes it is. But set in this game, it’s actually not a big issue, it just works.
And now for a bit of controversy. Ubisoft has no problem putting expensive microtransactions in their fully priced games. It gives them big money, they have a right to. However, as an experience, they nearly broke their goodwill on a portion of this game. That’s the progression system. In order to level up or afford things, you have to do more than just missions to get enough EXP to progress. You’ll have to do a lot of mundane-out of the way stuff like exploring caves and attacking small camps at question marks dotted all over the map. I found myself in a position where I was two levels too low to progress through the game because the game is harsh if you are under-leveled. Ubisoft remedied it by offering a buff that will get you 50% extra EXP and money for the whole game, including new games. You have to at least buy the 20 dollar helix credits pack to get this. If you don’t, the game can get very grindy. Plenty to do is one thing, being forced to do everything is another. I caved and bought this buff, and it feels like this is the way the game was supposed to be played. It seems as though this was intentionally done to goad extra cash from the player.
I am willing to forgive this transgression because it was on me to make that choice in the end. I could have bucked up and cleared out every single icon on the map to take the game nice and slow. But, be that as it may, I cannot stop playing this game. Even with the buff, I did manage to get myself into another situation where I was under-leveled. But I kept playing and playing and playing. I told myself I had to stop at 11 PM, then 2 AM rolls around and I’ve conquered another city. I am willing to accept that the price I paid to make this game more enjoyable is worth it because of the amount of fun I’m having with it. Before tax, I paid a total of $68 for the game with the helix credits. That is an acceptable price for this game. I don’t know if I will finish any time soon, and I’ve had plenty of time to play.
Forza Horizon has spent a long time to become a fan favorite. The Forza Horizon racing series of video games have become one of the biggest racing game franchises in the entire industry. WIth the most recent Forza Horizon 4, has the game surpassed it’s progenitor, Forza Motorsport?
Ladies and gents, once again it is that time where you are paid for your continuing service as a subscriber. Here, we have the free games given to Xbox Live Gold and PSN Plus members. No fuss, no buss, just brass tacks. Do you want to know what games you are getting? We have them here.
Xbox Live Gold
Battlefield 1 – Did you miss last year’s Battlefield entry? Trying to make the old wars cool again, Battlefield 1 was a breath of fresh air in a series that was starting to lose its way. Featuring a lot of anachronistic weaponry, high concept weapons, and outrageous single player stories, it was a blast. Literally too. Before Battlefield V drops, you have a FREE chance to catch up on all the exciting action from this previous entry. Yes, previous, I know, the numbers make no sense.
Race the Sun – This is a simple yet addicting game where you drive super fast on an endless route. Your goal is to make sure the sun stays on the horizon as you navigate difficult obstacles in your way. The game can be rather brutal with its checkpoint system, but it’s still fun. Free is nice too.
Assassins Creed – The original. The source of it all. One of the most popular franchises in the video game world got its start with this one. It’s a flawed experience with several nags that make it less than excellent. But AC2, of course, improved everything, molding it to what is today. That said, this version of the game is interesting because even though it is a 360 title, it has Xbox One X enhancement, including an improved resolution and texture details. It actually looks relatively good for its age.
Dante’s Inferno – No, not the book. The brawler game. This particular title was noted for some of the crazy publicity stunts EA pulled off during its release. It had a fake religious group protesting it at E3. And they sent a handful of copies to devs with some very bizarre circumstances that were related to the seven deadly sins. In fact, the crazy campaign was more memorable than the actual game was. It’s an okay brawler game.
BulletStorm: Full Clip Edition – This was a fun shooter that EA needlessly made a remaster for and charged full price. It features a game that puts a big focus on making the player get creative with their kills. You get points for killing enemies, but you get more points if you’re creative about it, like in midair, or hitting them with a whip, etc. This game had a unique marketing gimmick where EA released a fake Call of Duty game to advertise for it and HOLY CRAP I’M SEEING A PATTERN HERE. I’m onto you, EA!
Yakuza Kiwami – There’s never been a better time to dive head-first into the amazing Yakuza series. This remaster of the original classic makes the game look like a title that came out recently. It’s the kind of remaster that really put in the effort to make the game look better, rather than just upscaling the resolutions and calling it a day. Looking at you, Shenmue 1 & 2 ‘HD’.
Jackbox Party Pack 2 – The Jackbox games are a collection of party game that, while launched on a console, you actually play on your smartphone with up to 8 friends. The second party pack has two outstanding games that are great. It has Quiplash XL, a game where the player is prompted with a topic and has to come up with a funny response. Literally, the funniest person wins. It also has Fibbage 2, a game where tough and bizarre trivia questions are asked. As the player, you get to submit your own wrong answer, then everyone tries to guess the correct answer. You get points if you make people fall for your fake answer. A total blast at parties and the ease of use is fantastic.
Arkedo Series – This just looks like a series of indie pixel games. Whatever.
Burly Men at Sea – Okay Sony, first Arkedo and now this? What are you even doing?
Roundabout – This is not a song by 70’s prog rock band Yes, but is, in fact, a game where you drive a limo around a map. But the limo is constantly spinning and you have to time your movements to the rotation of the car in order to avoid obstacles. It’s a wacky game that features some fun live action cutscenes. The low budget of this game bleeds through it, and a ton of people gave the game a bad review just because it came out at the turn of a new generation of games and didn’t look stunning.
Nintendo Switch Online
The free virtual NES games this month are:
Mighty Bomb Jack
All consoles have some friggin amazing titles on offer here. Battlefield 1 was a fine game with a very robust campaign, so even if you’re concerned that not many people are playing online, you still have a great single player experience. Race the Sun is a bit low rent, but having the enhanced Assassins Creed is a great piece of gaming history to have on hand. I mean, it literally INVENTED the tower climbing mechanic you see in every game now. It will be especially interesting to see how well it holds up. As far as Dante goes, it didn’t sell that well, but if you are curious as to what you missed out on, nows your chance to peep it.
PS4 has some strong current gen entries. Bulletstorm was also not a big hit and vastly overlooked. In fact, you probably didn’t know that they just randomly added Duke Nukem to the new version. Did you know that? You do now. And after that, Yakuza Kiwami 2 JUST CAME OUT, so it’s a great time to play it. That said, you may find that you don’t have enough time to play the sequel because Yakuza games are big. That said, with the exception of the Jackbox games, the rest of the Sony titles are considerably lackluster, I wouldn’t bother with the last 3 on the list.
NES on Switch, on the other hand, has a major game up its sleeve. The original Metroid is an all-around classic. I personally have never played a SINGLE MetroidVania title. Sad huh? But what better time to start than right now, while it’s free? If it’s free it’s for me right? That is the title of the series after all. The other games? Never heard of them.
The latest rendition of the Forza series, Forza Horizon 4 has everything. It welcomes you, no matter what. It rewards you for everything. Whether it be exploring, painting, buying, racing, tuning, photos, ANYTHING. In an era where racing games are vastly underappreciated and highly niche, this is a game that welcomes everyone. Forza plays however you want it to play, whether you want it to be a fun arcade racer or a hardcore simulator. This game also covers you with 8 different difficulty levels. And it has several assist options for control of the car. If you even partially like racing, this is an absolute must-see.
And a fun video on Winter Season.
Horizon seasons change every week.
Forza Horizon 4 contains more cars than the previous one.
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