My Interest in Ghosts of Tsushima Just Shifted Laterally
In case you missed it, Sony’s most recent State of Play delivered an 18 gameplay demo. Except this time, there was actual gameplay, unlike Xbox’s most recent shindig. It delivered on a lot of things. It showcased how exploration worked and how organic and fluid it was. Then we got some combat gameplay where we saw protagonist Jin play two different styles. One as a samurai, and one as a “ghost”. But he’s not a ghost, he’s an assassin.
Yes yes, I was expecting a unique samurai dueling game but I got Assassins Creed: Odyssey. Or Origins. Moreso the new ones than the old ones. After playing Odyssey for 160 hours I kind of have that gameplay loop burned into my head.
Then I watched this 18 minute demo for Ghosts where the character marked a spot on his map then got on his horse to go to the spot. On the way there he, he picks up a branch without getting off. Clearly its for the crafting elements that are now mandatory for all games. The character also made a stop at an upgrade shrine, then another location where he unlocked fast travel. No climbing or synchronizing at least.
The combat comes next.
At first I was amazed at how the game appeared to be based entirely on reflex moves. Lost of samurai trope insta-slashes and bloody cool counter attacks. I thought that was unique until I also saw you can just whack dudes with your sword as well. But then they went back again and had Jin sneaking around the walls and gates, sneaking and assassinating enemies. Literally assassinating them, it says so on the button prompt.
Well then, not as unique as I thought the game was going to be. Watch the video for yourself. The majority of the gameplay experience looked exactly like the experience I’ve had in AC: Odyssey. It all looked far too familiar for me. That’s no a bad thing, as I’ve said, I sunk 160 hours into Odyssey. Why not sink some time into Assassins Creed Feudal Japan edition. Ubisoft never got around to making that Japanese setting that fans occasionally called for. Looks like Sucker Punch Studios is doing it for them. I can’t wait to get roped into the Ubi-loop once again.
There’s absolutely nothing wrong with the game in all honesty. It looks completely fine to me and I would definitely play it. But what started off as a very unique looking game has wound up into being a complete, by-the-books experience. All that’s left now is for it to have a great score, great story, and great fun. If it’s got all that, it’ll still be a solid experience.
Hate reading? The audio version can be found HERE.
BTW, the Black & White mode and the ability to turn off subtitles for the Japanese voice track was the most pretentious bullcrap I’ve ever seen.
The Last of Us Part 2 now has my attention, here’s why. (No Spoilers)
In case you’ve been living under a rock, there’s been a lot of noise surrounding Naughty Dog, LLC ‘s much anticipated game, “The Last of Us Part II”. Huge swaths of the game were leaked. Not just text, entire cutscenes including major turning points were all left out to bare. If you look hard enough you can probably still find them but the developer has been working extensively to shut the leaks down anywhere they pop up.
People are not happy with this, to say the least. I can’t take sides on the various different expressions on how people are displeased, but there’s a lot to unpack. And I hate saying “there’s a lot to unpack”. People are displeased with the new characterizations of certain… characters. New characters introduced are considerably controversial to say the least. Plot directions can be dumbfounding in some cases. And then there’s the very weird decision to point out “killing dogs” being a game feature.
Either way, everyone is angry. Almost everyone. Preorders cancelled, gamer “boycotts”, and the like. Fans are mad. I’m not though. See, I wasn’t that big of a fan of the series to begin with. Sure, the graphics, cinematics, and script of the game were stellar, but as an overall package with the gameplay it had, it didn’t linger in my head too loo long after finishing it. 7/10. Come @ me.
But now that everyone HATES the turning point that has occurred.
I now am actually more curious about the game. I’ve seen most of the spoilers to be seen, and it’s left me stroking my neckbeard. It’s very clear that the developer wants this game to be very edgy and make you feel bad about yourself. Spec Ops: The Line did this but executed in in a spectacular manner.
This leak also seems to have prompted a release date sooner than anticipated, in June. Now let’s see.
–Are they dedicated in ruining their fans appreciation of the series?
–Will they be deadset on being edgy and “mature”?
–They are 100% on board with going with some of the decisions they’ve made?
I wanna see it thru. Do it. Release the game. I wanna see just how “bad” it is, just how “edgy” it is, just how “screw you” it is. The leaks only released nuggets of the game but are still not the whole package. But spoilers can excite me sometimes, because I want to see the execution. This is the case for the upcoming game.I now have to see what it is they’ve done.
Not for full price though, forget that. Come @ me in the comments if you think I shouldn’t play it at all. Please try not to put the exact spoilers in your comments, thank you.
Hate reading? The audio version can be found HERE.
Allegedly, Rage 2 was an endangered game until Avalanche Studios “rescued” it. I’m not sure that is truly the case. The shooting in the game is still the ultra-satisfying and fast paced action you expect from id software. It’s just too bad there’s this whole map and plot that get in the way of your enjoyment. How so?
If you like sand, you’re gonna love 80% of this game. There are spots that aren’t sand, and they actually don’t look as good.
There’s no designated aesthetic for Rage. It has been, and always will be, a combination of other similar games smashed together.
The draw distance on the map is dismal, and that’s on the Xbox One X version. And don’t get me started on their FOV slider.
Some games make you stop and stare in awe at the land before you. In Rage 2, I couldn’t ignore the scenery fast enough.
At least there was nothing distinctly terrible about the visuals?
I don’t always skip cut scenes on a first playthrough. But when I do, it’s usually another id software game. Like Wolfenstein II: The New Colossus, I regularly bypassed the plot out of sheer boredom.
The plot is too hard to follow anyway, the game expects you to just know stuff about the lore of Rage, which is something nobody has.
Did I even need a reason to shoot baddies? The game could have just said “here’s the bad guys, shoot them” and I would have had a blast.
But the game is so serious and the ridiculous action is at odds with the serious plot.
The plot also seems considerably unfinished, like it’s one third of a Far Cry game. And just like Ubisoft, they were keen to just litter the map with different stuff to do that earned you points towards being given story missions. One of which was a real slog.
This game was finished during a 3-night rental. Well, 4 nights total but I didn’t play it one night. I had to sort of force myself to plow through it.
Soundtrack sounds like it’s on autopilot. And even worse, there were times where it became grueling. Because occasionally the action music won’t shut off and continues looping.
I’m trying REALLY hard to remember any song in this game and I just can’t. I distinctly remember the Mutant Bash TV song being OK. But that’s because it was comical.
The guns and explosions are satisfactory. You can certainly feel the impact when you pull the trigger.
Voice acting isn’t bad. Not that I know that much since I skipped half the cut scenes. It’s whatever. It did the job bare minimum.
When you pick up items of any kind you hear the same exact “pow” noise every time. You also get a chime when you upgrade but there are many upgrades where there’s no sound at all. Really removes the “ooomphf” from leveling up your sh*t.
The sound FX are like a poor imitation of Titanfall 2‘s BOMBASTIC level up and weapon sounds.
Despite the open world feeling like more of a nuisance than a gameplay feature, it does leave a lot of areas to go to. And in all those areas are baddies and you get to shoot them. This game is at its best when you are shooting the baddies.
But seriously, id software has first person shooter mechanics down pat. It seems like Avalanche just used the exact same structure they did in their “Mad Max” adaptation, but let id do all the fine tuning.
The powers are fun, and while the challenge dramatically change, it’s not bogged down by any RPG elements. Each location just has a challenge rating, from 1-10, and I appreciate that you can just walk on in to a high difficulty area and still win if you’re good enough.
There are probably cooler guns, yet I spent the majority of the game with a heavily upgraded version of the starter weapon, the ranger assault rifle. And it never got old. Especially when upgraded to high capacity and faster fire rate. Why aim when you can shoot more bullets?
When this game is a shooter, it’s a great shooter. When this game is an open world sandbox, it’s a boring commute between combat sections. I almost would have preferred to just have a loading screen to teleport me to all the missions.
You know what really breaks immersion though? Having a pause menu that stutters and lags when you go from category to category.
Also the HUD disappears if you press the “Xbox” button. I had to do this frequently because I was capturing footage.
Despite all the complaints above, the actual combat just makes up for it in so many ways. It’s similar to Destiny in a way. They got themselves a great shooter that feels well polished, looks good, but lacks in story and creativity.
As stated earlier, this game was finished during a rental. By the time I finished, I had not done many of the side quests and locations to clear. If I had more time, I might be inclined to do them. But, it’s just not a $60 experience. That campaign is short and there are plenty of elements that keep Rage 2 away from greatness.
That’s right, I content that Metro Exodus is a survival horror game that occassionally becomes a shooter. I go over that in the beginning. But after, if I still have your attention, I have some nice tips for you if you plan on taking this incredible journey.
Legacy of the first blood has concluded with the final chapter, Bloodlines. In our last video on this, Chet went through a series of questions as to what was in store for us on this episode. Turns out, some of those guesses were true. Have a look and see what Chet totally called back in January.
Chet supports AC: Odyssey’s Season Pass. 3 episode DLC, a $40 game, and then another 3-episode DLC, it’s absolutely worth it.
Remember when you just won cool gear for your character when you did well? Pepperidge Farm remembers.
Trials Rising is back. It’s the 5th game in a long-standing series of physics-based, motorcycle riding action. Although the new entry itself is rather decent, Ubisoft decided to be Ubisoft and find a way to ruin the fun. They added the basic bitch of microtransactions, loot crates, to the mix, and they don’t gel well. And they are supposted to give you cosmetic upgrades only, but the upgrades are garbage. Rewards are also few and far between, with the majority of upgrades being stickers, the least interesting cosmetic aspect. And then you can get some new gear for your rider and bike but you can also get friggin DUPLICATES. Got the same tires twice? Too bad, you can re-sell the tires for a currency that is totally worthless towards the cost of another crate. It’s shameful at best. Too bad.
But wait, there’s more!
Now, watch this and look at the stunning lack of actual features after opening so many boxes. The customization system in Trials Rising is absolute garbage.
Sadly, one person on our YouTube tried to defend this. You can help by going to the page and upvoting the video.
It’s been a long time since the Feudal Japan era had some new skin in the game of gaming.
Tenchu was the king of the PS1 era. Then Ninja Gaiden stole the throne. And now we have a new challenger. Developed by From Software, of Dark Souls fame (and Tenchu for real old heads), Sekiro: Shadows Die Twice is a third person hardcore action RPG published by Activision. With a lot of similarities, many people have been comparing it very much to the Souls Series since its release for PS4, Xbox One, and PC on March 22nd, 2019. Is the story, action and adventure worth the intense challenge?
Without question, Sekiro takes place in one of the most interesting worlds in video games, especially of recent. Vast mountains and beautiful landscapes turn from peaceful scenery to bloody battlefields in seconds. The development team at From Software definitely put their all into balancing the feel and look of the environments. But, even with all that effort, graphically it isn’t doing anything unexpected or dazzling. The character animations are mostly incredible, which is critically important for a precision based game. However, Sekiro never feels as stunning to look at as some of the other games released this generation.
Twists and turns galore in this adventure of how a lonely boy gets adopted by one of the most dangerous men on the planet. Actuallym it’s even crazier than that. It’s really a master shinobi adopting an orphaned boy and making him a master Shinobi. Then that new master Shinobi being tasked with protecting the legacy of the Ashina family. Seriously, the game gets so deep in the lore that its damn never impossible to really explain it without spoilers. All that needs to be noted is that the story is fire. 🔥🔥🔥 Need further validation? Every single thing you find in the world, key item or plain inventory, has a story attached to it.
It’s always important to remind oneself that no-one could ever truly say what the past sounded like. But, when a company makes their world so realistic that people are willing to debate the realism, they win. In this case the sounds in Sekiro win. There’s an immediate tension generated deep inside when the sound of a blade draw comes whirring out the screen. Or the way the blood splatter and gurgle just make skin crawl. The most important sound in the game however, is the giant roosters cooing. Those damn roosters.
Precision, Precision, Precision! Every single step in Sekrio: Shadows Die Twice is about precision. But unlike past games Souls games, the Wolf is extremely agile. And that’s what makes the game great. The precision strikes feel that much more satisfying when everything feels like it’s happening at mach speeds. On top of the standard gameplay most souls devotees are familiar with, Sekiro has a very strong emphasis on stealth. Shouldn’t be much surprise considering the game is based on the ninja (aka Shinobi) and samurai, but man did they nail it.
The single stand out super feature of the game is by far the prosthetic arm. In all its gadget filled wonder, it adds an additional element of action to the game. At times it’s easy to feel like SpiderMan swinging through the air with the grappling hook. Meanwhile, the various other upgrades bring elements from other incredible heroes and warriors to the forefront. Without spoiling too much it’s important to note that a lot of the upgrades can be missed entirely. In true Souls fashion however, these boss battles prove to be controller breaking tough. And your tiny little health bar leaves very small room for error.
Stealth crawl through tall grass. Hang off the ledge and shimmy across to the other side. Come up and stab samurai through his damn chest. Oh, not a fan of stealth? Hang on, let’s try a different scenario. Walk calmly across the battlefield. Make eye contact with samurai. Draw blade and assume posture. Block then parry samurai’s strong offensive. Slice samurai off balance and stab him in his face. How’s that? See there are so many ways to approach any battle in this game that all play styles work. Want to rush in to battle and take on three samurai at a time, feel free just strike with precision. Want to run across rooftops and drop down on unsuspecting monster size targets to avoid a long battle. Go for it.
It is incredibly easy, once you get the hang of things, to get lost in the captivating world that From Software has created for hours. Even the enemies that look the same all approach battles differently. Almost as if their personalities are on display just as much as their swordsmanship. Despite what the media is saying, this game is not terrifyingly challenging. It is for sure realistically dangerous. One wrong move and its death. That rollercoaster thrill is fun.
The quiet pairing of From Software and Activision created a game the world needed. The redemption of the ninja and samurai. Sekiro: Shadows Die Twice is the unofficial spiritual successor to Tenchu. And despite all the games being great, except for Tenchu Z of course, this one ended up so much better. Sure, it might be a bit more challenging than the standard third person game but it’s worth the price of admission. Sekiro: Shadows Die Twice is a must have for any gaming fan’s library.
Ubisoft and Tom Clancy have shared what is quite possibly the longest healthy relationship in all of gaming. Seriously, fact check it. And Tom Clancy’s The Division 2 is the latest entry into this abstract marriage. Released on March 15th, 2019 on Playstation 4, Xbox One, and PC The Division 2 is a third person multiplayer squad based action shooter. Developed by Massive Entertainment, The Division 2 aims to be the improvement of everything that was great about the first installment.
The Snowdrop Engine looked amazing 3 years ago when it was first used on The Division. Division 2 however, is the first true example of what the Snowdrop Engine is really capable of. As soon as the game launches everything looks incredibly amazing, but that’s not the big selling point. The big selling point is the amount of control, even on consoles, the player has over the visuals of the game. Ubisoft’s proprietary engine allows for so much customization to allow anyone to set the games visual to exactly how they’ll enjoy it most.
The freedom and control the Snowdrop Engine offers coupled with the fact that the game looks great is incredible. Every animation, from person to animal to explosion, looks fantastic. Nature blends itself well into the concrete settings of post apocalyptic destruction filled D.C. Character movements look and feel astonishingly natural, especially for a game so tethered to online. Take some time to kickback and just enjoy the scenery. It will not disappoint.
Within the world of the Division exist a major crisis. It’s been a little over half a yeas since the initial infectious outbreak that brought down the U.S. And now things are reaching anarchic levels of bad. Members of the Joint Task Force have defected and left the white house completely vulnerable to the Hyenas and the Outcast. The worst has literally come to fruition and there’s a lot of work ahead to make things better. The story itself is great however the presentation not so much.
Being an online multiplayer game diminishes the value of the story and makes it really hard to feel like a part of it. Lines between campaign missions and side missions are very blurred because the real gameplay goal is to become stronger. Very rarely does the game stop and allow for the narrative to position itself upfront and center. The focus was clearly on gameplay and shoot’em up mechanics over narrative delivery.
The Division 2 has a very unique sound design issue. The world is designed to be chaotic and feel unsafe. However, unless there is a nearby firefight the visual fidelity makes everything feel peaceful, somber, and a bit messy. It has a post car accident feel. Everything looks like something really bad happened, but that bad thing passed. The emptiness of the world makes space a very lonely audio feeling. The good news is this ambience is nearly perfect for an online squad based shooter. Considering most of the sound will be the nonsense chat amongst the squad.
Third person cover based shooters typically suffer from inconsistent character behavior. Everyone whose ever played has fallen victim to being completely exposed to the enemy because the game misunderstood your cover request. Division 2 has not entirely fixed this but it doesn’t suffer as much as other games. Not sure why, but not complaining. Outside of that major genre flaw, everything in the game feels great. The dynamics of weapon modification is pretty cool even if it suffers from the online game issue of racing to higher numbers.
A lot of the tactics of understanding weapon mods is removed because the overall goal is to increase the overall gear number. That number represents the truest strength of the character. The controls in action are super tight and have a vast number of customization options to fit any play style. And the development team is being super supportive of the community, listening to request and complaints.
Despite being a multiplayer game, The Division 2 is still incredibly fun as a single player game. The squad based combat with friends online is hands down the best way to experience this game. However, the experience alone is just as fun, especially if you don’t mind the added challenge of doing it alone. The frequency of ammo and supply restocks make it feel endlessly exciting. The thrill of an even match against enemies keep the action nonstop. Are far as third person shooters go, there really isn’t anything on the market as exciting as The Division 2.
The Division 2 is an incredible sequel and an incredible example of “games as service” done right. The load times could be better, but once the game is loaded hours could fly by without feeling gaming fatigue. Although Division 2 is an online multiplayer game, it is accessible to anyone who enjoys single player third person cover based shooters. Simply put, save for the lack of narrative focus, this is a great game.
With every new generation comes the same question. What titles will be available at launch. Since the console itself has yet to be announced launch titles are still pretty far out. So I think this is the best time to introduce my top 5 request. Regardless of how likely or unlikely.
In my opinion drive club failed for two reasons. The first reason was timing. Driveclub was supposed to be a PS4 launch title, but it missed the mark. It was announced during the PS4 reveal in February 2013. Playstation 4 arrived in September of that same year. But Driveclub didn’t make it to store shelves until October 2014. A barrage of delays pushed this game back an entire year. By that point almost all interest was lost and the game still managed to have issues on day 1. To be completely honest, Driveclub did not meet full expectations till January 2015. Almost two years after the initial announcement. So despite going on to accumulate over two million copies sold, Sony’s recent announcement that servers would be shut down as of august 2019 proves it didn’t meet the goal.
It’s hard to compete against diehard fans.
And in an ultra rare turn of events I put some of the blame on the lack of title recognition. That’s right my second reason is, this game had no fan base to start with. Trying to go up against the behemoth Forza, arguably the greatest racing game of all time, is already a challenge. Then pair that with the challenge of battling Gran Turismo, the second racing mammoth, and you’re asking to die. Don’t get me wrong, I love rooting for the underdog but he has to at least have legs to stand on. Delays and incomplete arrival would not have hurt Forza or Gran Turismo as much as it wrecked Driveclub. Hell, even Need for Speed can get it wrong a few times and fans will still be there.
That’s the key, fans were still there. Gran Turismo had fans. Forza had fans. Need for Speed had fans, Driveclub has ambition. And a lot of the time that just isn’t enough. The good news though is now Driveclub has fans. This is the perfect time to give it a sequel and build on the little successes. The Driveclub community will love it. And if al goes well, Driveclub might actually be able to compete with the other franchises. Especially with the whole super cool VR advantage. Am I right?
Infamous: (Insert Subtitle)
First and foremost I must admit, I was not a fan of infamous until I played (and finished) Infamous: Second Son. And now I need more. Similar to my relationship with Uncharted (jumped in at Uncharted 3), I went back and played all the other infamous games to fulfill my need. But now there’s nothing left. The Infamous series is one of those rare situations where i fall in love with an open world game. Maybe it has to do with the super hero aspect. Or maybe it’s the super polished storyline. Whatever it is I absolutely love it.
Infamous: Second Son was a great example of where the franchise could go without it’s original protagonist, Cole MacGrath. It also showed how well the team at SuckerPunch could handle replicating real locations. So where in the world could the next Infamous story be set. First idea is the gritty streets of Chicago. We already saw what a near futuristic tech controlled windy city would look like, so why not fill it with a superpower crisis. I really can’t imagine a bad cameo from Kanye West. At all.
The second idea is vacation land gone bad. I can’t think of many games set in Florida. In fact the last game that, that I know, was absolutely Florida based was Grand Theft Auto: Vice City. And that also happens to be the only GTA game i’ve ever finished and whole heartedly enjoyed. So imagine an Infamous game set in Miami. Beaches, drug warfare, and superpowers. Maybe cut back on the drug stuff, so Infamous can be a T rated game, just a thought.
What happened to Socom? One of Playstation 2’s greatest titles. The first real attempt at online multiplayer by Sony. 2011’s Socom 4 was an embarrassment to the legacy of Socom and the final nail in the coffin. Prior to this, the series had already been struggling to remain relevant in a world dominated by first person shooters. But I think now is the best time to bring it back.
Thank god for The Division 2, but can I get SOCOM 5 too?
The popularity of Fortnite could serve as a launch pad for Socom. Both game being third person shooters means Sony could push Socom 5 to Fortnite fans who want more military realism. The examples are everywhere. The realism is the reason I prefer PUBG to Fortnite. However, I rather play the latter because I prefer third person shooters. Thank god for The Division 2, but that’s a different story.
With the launch pf the PS5, Sony could bring back this awesome tactical shooter. I wouldn’t even judge if they looked to the more recent Tom Clancy games like Ghost Recon Wildlands for guidance. I’d prefer if Socom stayed linear and mission based, but I would be completely off put by an open world. In fact I think Socom 5 should take a page out of the Hitman book as well. Individual missions taking place in huge maps with various ways to complete the mission. Make it happen.
I think we can all agree; games with samurai, ninja, or any blade based weapons are awesome. No questions asked. Yet, who could ever forget the ultra historical accuracy of the Giant Enemy Crab? That’s right no one. So do I really need to explain why a third entry in the Genji series is necessary? This one isn’t even an ask or want. It is a demand. Sure it was nothing like the historically accurate game they promised, but by god was this game a blast too play.
Of course, Genji: Days of the Blade, the second installment to date, still has some of the most amazing gameplay mechanics. And with multiple character to use based on techniques, skills, and timing every encounter feels fresh. Every character feels meaningful. Supported by the sudden resurgence of ninja and samurai popularity, Sekiro & Ghost of Tsushima being prime examples, it’s the perfect time.
Considering the events at the end of the second entry it wouldn’t be hard to either pickup where was left off or reboot. Personally, I would love to see World Wide Studios take the reboot approach, unless original developers Game Republic still cares. Get in there and bring back all the special magic of the first two entries with a new age polish. I’m incredibly ready to embark on another journey with my samurai pals.
Solid Snake, of Metal Gear Solid fame, is the mascot of adult stealth action. Sly Cooper is that and more for the all ages crowd. Originally developed by the masterminds at Sucker Punch, Sly Cooper is the best robin hood game ever. Why? Because the band of misfits made up of a smooth talking sneaky raccoon, an overly intelligent turtle, and a super strong hippo. Still not interested? Ok, they work together to steal technology from a criminal organization run by a lizard.
Back in 2013 Sanzaru Games took a shot at bringing the Sly Cooper franchise back and it received mixed reception. Personally, I loved it and would love for Sanzaru to take another shot at it. And what better time than alongside the launch of a new console. Sly and the gang always found themselves on wacky adventures in an effort to line their pockets and save the world.
I have little reason to believe Sony has given up on this franchise. Especially when you take into account there are various comics and a few spinoff projects based in the Cooper universe. Something tells me this is the most likely game of my wishlist to come to life. If that is the case, I guess I can’t complain.
KillZone: (Insert Subtitle)
As a super fan of third person games, it was really hard for me to get into first person shooters. I really enjoy seeing the wild action animations of incredible cool character designs that i control. Also, most first person games make me really dizzy. Especially during the early days with Halo being the superstar. But I hated Halo. Not just as a Playstation fan boy, although that was undeniably a strong reason. The real reason was I didn’t feel connected to the story in any way and the gameplay was off putting for me.
Enter KillZone. Sony’s first big attempt at a multiplayer shooter to challenge Halo. I remember reading a story in Game Informer and thinking “this ones for me.” The big draw for me with KillZone was the story it was aiming to tell. One of over coming a war with people who felt nothing other than complete abandonment. The Helghast, KillZone’s antagonist, weren’t necessarily evil. Instead, they were misguided and therefore relatable. This narrative made it possible for me to connect with the game in a way Halo never tried too.
It’s possible Guerrilla Games must have been feeling franchise fatigue because things just got sloppy. Yet, I still hold out hope for a new entry even if the team is now completely tied up with a whole new franchise. I think it’s time for either a KillZone Reboot. Do it comic book movie style. Take the same story, fix the parts that didn’t quite make sense from entry to entry, and reintroduce it to a whole new audience.
The 2020 Olympics will be taking place in Tokyo next year. Besides already holding the licenses, Sega is taking this opportunity to try to make waves. First headlines were made with eh announcement of “Olympic Games Tokyo 2020 – The Official Video Game”. Coming to Playstation 4 and Nintendo Switch worldwide. Sega has gone on the record calling this new title “A fun-filled sports action game where you create your avatar and compete in olympic events. That’s right, you too can go for the gold from the comfort of your living room!
Next, they announced the release of a brand new Mario & Sonic at the Olympics. It’s been a long 4 years since the last time we’ve seen these athletes on the field. Mario & Sonic at the Olympics 2020 looks much like past iterations but this time will have mini-games for your Joy-Cons. The only real question here is; will this game feature the movie versions of our two cover stars?
For those of us who have become avid mobile gamers Sega’s got something for you too, because mobile gamers count. Mario & Sonic will be attending the Tokyo Olympics on iOS and Android as well. Assuming the game will borrow some Joy-Con features and optimize for touchscreens, this will most likely be super casual. I’m predicting for sure at least one Temple Run style track and field game. Actually, bets are open.
Not excited about the Olympics!? Fine.
Fear not friends who could careless about professional sports or sports simulations. Or emotionless monsters who can’t find the humor in the “world’s fastest hedgehog” racing against the “most hard-headed plumber of all time”. There is some retro based good news. Sega is bringing a new challenger to the mini console revolution.
The Sega Genesis Mini will be available on September 19th, 2019. Retailing at the great price of $79.99 the mini console will feature 40 classic games including Sonic (of course), Castelvania, and Ecco the Dolphin. For the record, Ecco the Dolphin is the second most exciting part of this for me. What’s the first? Well I’m glad you asked. So far, 10 of the 40 games have been announced and one of those game is, Comix Zone. Need I say more?
The console itself is reportedly about 55% smaller than the original and comes with two usb powered replica three button controllers. Also packed into the box is a USB to Micro-B cable for power and an HDMI cable for graphic fidelity. Because as we all know, it’s not a retro remake unless it’s in HD.
What are some of the found memories you hope to relive with the Sega Genesis Mini? And for those excited for the olympics, what’s your favorite thing to have Mario beat Sonic at? And for everyone else, sorry you stuck around for that Vanquish sequel reveal. Believe me, you are not alone.
After years of speculation and rumors Borderlands 3 will be coming to a console near you. Gearbox and 2K confirmed the long awaited sequel at a keynote during PAX East. Although little information was provided at the initial announcement, Gearbox promised more in the near future.
Check out the trailer!
The next reveals will happen on April 3rd. And, Hopefully we get our bags filled with exciting Borderlands 3 news. In the meantime, true Borderlands fans can rejoice in the second major announcement. Borderlands: Game of the Year edition is will be available on PS4, Xbox One, and PC. When? April 3rd. Why? Well because, why not and it’s getting some big quality updates.
For any newcomers to the series, Borderlands is a First Person RPG Shooter. Some fan favorite elements of Borderlands include a ridiculous range of customization and weapons crafting options and 4 player co-op. I mean who am I kidding, everything about Borderlands is a fan favorite. From the unique comic book aesthetic to the different play styles of each character to the amazing narrative. Borderlands is a series that is experienced not just played.
So it looks like it’s going to be a good year for Borderlands fans and the Gearbox crew. Are you excited for Borderlands 3?
Robots forgo hostile human takeover and settle for subjugating us by making addictive video games instead.
Ubisoft, has found a winning formula for their video games. We all know this. And they are sticking to it like a bear on honey. For one thing, almost any game from them will have an absolutely gargantuan map. That and an absolute ton of copy-pasted assets. These same games also follow a pretty simple formula. From Ghost Recon Wildlands, to FarCry, to Assassins Creed, your goal in the game is very simple. You open your map screen, there’s a bunch of things to do. You click on one of the things, and then you go there to do the thing. Then the game rewards you for doing the thing. Then it gives you some things and then unlocking more things to click on and go to.
This “carrot on a stick” form of game design is utter genius. Many gamers, present company included, are perfectly content with these time-devouring opulent offerings. Ubisoft has never been more confident that they have a winning formula until now. Just look at their recent offerings. The Crew 2 is a game with a map that is vaguely the size of the entire USA. They loaded it up with a bunch of pinpoints full of races for different types of vehicles everywhere.
So it begins…
That’s why Ubisoft was proud to announce this in a recent PAX East interview. They want to take the design of their games to the next level. Starting production in May, Ubisoft New Jersey will start on their next Assassin’s Creed title. But this is no ordinary dev team, as Ubisoft New Jersey runs completely run by automation. That’s right, the dev is actually a smart AI called U.B.I.S.O.F.T. (Which is short for Universal Binary Interface Siumulator of Future Technology). Several UBISOFTs will be operating day and night to crank out the next edition of your favorite title.
Ubisoft producer Marc-Alexis Côté mused on this exciting event. “We already know how to make a game that everyone will want to play. We have it down to such a science, that we soon won’t need developers anymore. The UBISOFT AI is perfectly capable of replicating our formula. It has already designed the entire map of the next game. It’s 8 times the size of Odyssey”. When asked if this would decrease morale among the human developers of Ubisoft he was resolute. “Well, the elimination of jobs by robots is just part and parcel of living in a society.”
Right now, nobody, not even Ubisoft themselves, know what the plot of the next game will be. Not even the location. The robo-team at Ubisoft NJ will be performing its own internal company showcase. “Everything is so easy to make. Our AI team will be doing all tasks for this project. The script and the main character will be made by our robot friends. We’ve also asked them what they are going to do for voice talent. They said they’ll either hire somebody on their own, or they might even do the acting themselves! Isn’t that neat? They are so smart they literally don’t need any humans to help them make this game work.”
By the way, this interview? It was also performed by the UBISOFT AI. They used their network database of every Ubisoft E3 show ever. After, they constructed a hologram of Aicha Tyler to ask all these questions. The likeness was completely uncanny, including her saying really awkward things that made the entire audience uncomfortable. Digi-Tyler asked Marc if they even knew the title of the game, he admitted something interesting. “We aren’t sure what they are calling this new project yet. But they’ve already presented several working titles based on the titles of other games on the market. It will still be called Assassin’s Creed, but the subtitle is either going to be: Redemption, Revolution, Sisterhood, and Revelations IV.”
Right now the UBISOFT is downloading all the assets used from every Assassins Creed game ever made and will be making slight modifications to them so they look newer. Another arm of the AI has already started distributing random pins on their map where they will eventually add quests to. Expect to hear more about this at E3 this year. The current one.
In case the slow dip into insanity wasn’t enough to tell you, this article is SATIRE. Seriously, Ubisoft New Jersey? C’mon, you know better than that. A simulation of Aicha Tyler? Really? Actually no that would be pretty cool.