Allegedly, Rage 2 was an endangered game until Avalanche Studios “rescued” it. I’m not sure that is truly the case. The shooting in the game is still the ultra-satisfying and fast paced action you expect from id software. It’s just too bad there’s this whole map and plot that get in the way of your enjoyment. How so?
If you like sand, you’re gonna love 80% of this game. There are spots that aren’t sand, and they actually don’t look as good.
There’s no designated aesthetic for Rage. It has been, and always will be, a combination of other similar games smashed together.
The draw distance on the map is dismal, and that’s on the Xbox One X version. And don’t get me started on their FOV slider.
Some games make you stop and stare in awe at the land before you. In Rage 2, I couldn’t ignore the scenery fast enough.
At least there was nothing distinctly terrible about the visuals?
I don’t always skip cut scenes on a first playthrough. But when I do, it’s usually another id software game. Like Wolfenstein II: The New Colossus, I regularly bypassed the plot out of sheer boredom.
The plot is too hard to follow anyway, the game expects you to just know stuff about the lore of Rage, which is something nobody has.
Did I even need a reason to shoot baddies? The game could have just said “here’s the bad guys, shoot them” and I would have had a blast.
But the game is so serious and the ridiculous action is at odds with the serious plot.
The plot also seems considerably unfinished, like it’s one third of a Far Cry game. And just like Ubisoft, they were keen to just litter the map with different stuff to do that earned you points towards being given story missions. One of which was a real slog.
This game was finished during a 3-night rental. Well, 4 nights total but I didn’t play it one night. I had to sort of force myself to plow through it.
Soundtrack sounds like it’s on autopilot. And even worse, there were times where it became grueling. Because occasionally the action music won’t shut off and continues looping.
I’m trying REALLY hard to remember any song in this game and I just can’t. I distinctly remember the Mutant Bash TV song being OK. But that’s because it was comical.
The guns and explosions are satisfactory. You can certainly feel the impact when you pull the trigger.
Voice acting isn’t bad. Not that I know that much since I skipped half the cut scenes. It’s whatever. It did the job bare minimum.
When you pick up items of any kind you hear the same exact “pow” noise every time. You also get a chime when you upgrade but there are many upgrades where there’s no sound at all. Really removes the “ooomphf” from leveling up your sh*t.
The sound FX are like a poor imitation of Titanfall 2‘s BOMBASTIC level up and weapon sounds.
Despite the open world feeling like more of a nuisance than a gameplay feature, it does leave a lot of areas to go to. And in all those areas are baddies and you get to shoot them. This game is at its best when you are shooting the baddies.
But seriously, id software has first person shooter mechanics down pat. It seems like Avalanche just used the exact same structure they did in their “Mad Max” adaptation, but let id do all the fine tuning.
The powers are fun, and while the challenge dramatically change, it’s not bogged down by any RPG elements. Each location just has a challenge rating, from 1-10, and I appreciate that you can just walk on in to a high difficulty area and still win if you’re good enough.
There are probably cooler guns, yet I spent the majority of the game with a heavily upgraded version of the starter weapon, the ranger assault rifle. And it never got old. Especially when upgraded to high capacity and faster fire rate. Why aim when you can shoot more bullets?
When this game is a shooter, it’s a great shooter. When this game is an open world sandbox, it’s a boring commute between combat sections. I almost would have preferred to just have a loading screen to teleport me to all the missions.
You know what really breaks immersion though? Having a pause menu that stutters and lags when you go from category to category.
Also the HUD disappears if you press the “Xbox” button. I had to do this frequently because I was capturing footage.
Despite all the complaints above, the actual combat just makes up for it in so many ways. It’s similar to Destiny in a way. They got themselves a great shooter that feels well polished, looks good, but lacks in story and creativity.
As stated earlier, this game was finished during a rental. By the time I finished, I had not done many of the side quests and locations to clear. If I had more time, I might be inclined to do them. But, it’s just not a $60 experience. That campaign is short and there are plenty of elements that keep Rage 2 away from greatness.
Ubisoft and Tom Clancy have shared what is quite possibly the longest healthy relationship in all of gaming. Seriously, fact check it. And Tom Clancy’s The Division 2 is the latest entry into this abstract marriage. Released on March 15th, 2019 on Playstation 4, Xbox One, and PC The Division 2 is a third person multiplayer squad based action shooter. Developed by Massive Entertainment, The Division 2 aims to be the improvement of everything that was great about the first installment.
The Snowdrop Engine looked amazing 3 years ago when it was first used on The Division. Division 2 however, is the first true example of what the Snowdrop Engine is really capable of. As soon as the game launches everything looks incredibly amazing, but that’s not the big selling point. The big selling point is the amount of control, even on consoles, the player has over the visuals of the game. Ubisoft’s proprietary engine allows for so much customization to allow anyone to set the games visual to exactly how they’ll enjoy it most.
The freedom and control the Snowdrop Engine offers coupled with the fact that the game looks great is incredible. Every animation, from person to animal to explosion, looks fantastic. Nature blends itself well into the concrete settings of post apocalyptic destruction filled D.C. Character movements look and feel astonishingly natural, especially for a game so tethered to online. Take some time to kickback and just enjoy the scenery. It will not disappoint.
Within the world of the Division exist a major crisis. It’s been a little over half a yeas since the initial infectious outbreak that brought down the U.S. And now things are reaching anarchic levels of bad. Members of the Joint Task Force have defected and left the white house completely vulnerable to the Hyenas and the Outcast. The worst has literally come to fruition and there’s a lot of work ahead to make things better. The story itself is great however the presentation not so much.
Being an online multiplayer game diminishes the value of the story and makes it really hard to feel like a part of it. Lines between campaign missions and side missions are very blurred because the real gameplay goal is to become stronger. Very rarely does the game stop and allow for the narrative to position itself upfront and center. The focus was clearly on gameplay and shoot’em up mechanics over narrative delivery.
The Division 2 has a very unique sound design issue. The world is designed to be chaotic and feel unsafe. However, unless there is a nearby firefight the visual fidelity makes everything feel peaceful, somber, and a bit messy. It has a post car accident feel. Everything looks like something really bad happened, but that bad thing passed. The emptiness of the world makes space a very lonely audio feeling. The good news is this ambience is nearly perfect for an online squad based shooter. Considering most of the sound will be the nonsense chat amongst the squad.
Third person cover based shooters typically suffer from inconsistent character behavior. Everyone whose ever played has fallen victim to being completely exposed to the enemy because the game misunderstood your cover request. Division 2 has not entirely fixed this but it doesn’t suffer as much as other games. Not sure why, but not complaining. Outside of that major genre flaw, everything in the game feels great. The dynamics of weapon modification is pretty cool even if it suffers from the online game issue of racing to higher numbers.
A lot of the tactics of understanding weapon mods is removed because the overall goal is to increase the overall gear number. That number represents the truest strength of the character. The controls in action are super tight and have a vast number of customization options to fit any play style. And the development team is being super supportive of the community, listening to request and complaints.
Despite being a multiplayer game, The Division 2 is still incredibly fun as a single player game. The squad based combat with friends online is hands down the best way to experience this game. However, the experience alone is just as fun, especially if you don’t mind the added challenge of doing it alone. The frequency of ammo and supply restocks make it feel endlessly exciting. The thrill of an even match against enemies keep the action nonstop. Are far as third person shooters go, there really isn’t anything on the market as exciting as The Division 2.
The Division 2 is an incredible sequel and an incredible example of “games as service” done right. The load times could be better, but once the game is loaded hours could fly by without feeling gaming fatigue. Although Division 2 is an online multiplayer game, it is accessible to anyone who enjoys single player third person cover based shooters. Simply put, save for the lack of narrative focus, this is a great game.
The Metro series of videogames are all based on a series of novels by Russian author Dmitry Glukhovsky. The book was originally released in 2005 and the videogame adaptation, Metro 2033 was released in 2010. Metro Last Light followed that up in 2013, and now we have Metro Exodus. It was developed by 4A Games and published by Deep Silver. In this entry in the game, you leave the traditionally claustrophobic tunnels of the Moscow metro for the great outdoors. Your quest is simple, find a place to start a new settlement. It is a lot harder than it sounds. Many things go awry on your journey. This series is a mix between an FPS and survival horror, where you have to be more conservative with your ammo and resources, don’t have regenerating health, and have a lot of gadgets to fiddle around with. So, what’s the deal with this 3rd entry?
This review is based on the Xbox One X Enhanced version of the game.
On a technical level, the graphics are fantastic. You’re looking at some absolutely great lighting with a full night and day cycle that feels real. The contrast between the spacious open skies and the darkness of the tunnels is large. Animations are top notch, which is a big bonus for this game. There are a lot of in-engine scripted sections where people do a LOT of talking (more on that later). From just a purely visual perspective, everything looks as real as they can get. If I really had to go nitpicking, I would say that there are two locations in the game that look dull because they look so real. Yes. As in, the big open desert wasteland map was a big open desert wasteland. The snowy lake area is just a bunch of bright-ass snow. But I’m really reaching here, these visuals are off the hook.
This is also gonna sound more like a criticism than an accolade, but there is too much story in this game. The script for this game had to be massive, because every single character you encounter has a lot to say. Every enemy encounter is loaded with stuff. There’s a lot of stealth in the game so you have plenty of opportunities to eavesdrop on everyone. And those are just random encounters. The setpiece locations themselves are filled to the brim with story as well. They make an absolute masterpiece of world building based on what you see and hear. All of that is before I talk about the Train scenes. Good lord, there is a lot of dialogue on that train. The train serves as an exposition/character buffer between locations, and is rather amazing. You get to learn all about EVERYONE on this journey with you, and there are many tales to be told.
There is one scene on the train where you’re in the control car with 3 different pairs of people. And they are all in different corners of the head end, talking to each other.
Some may take issue with these bits. For one, the train sections are really LONG exposition dumps. 30 solid minutes of people talking to each other. I haven’t seen this much discussion in a half hour since the opening “speech” in Old World Blues from Fallout: New Vegas. Honestly, this game has a very slow pace. The talking is a great bit of respite after a stressful mission. The other point, which is a bit more annoying is that people very frequently talk over each other. But, this isn’t a bug, it’s intentional. There is one scene on the train where you’re in the control car with 3 different pairs of people. And they are all in different corners of the head end, talking to each other. You would have to replay these scenes multiple times to hear everyone properly. I personally didn’t think this was a problem either. It added to the realism.
Finally, the over-arching plot itself isn’t really much of a traditional story. The entire point of the game is simply finding a place to settle outside of the Metro. The hardships you encounter along the way compose the parts of this story, but every stop is more like an intrusion than a narrative. You walk into a weird cult, you reason with the cult, you leave. You encounter some… crazed survivalists in a bunker, and then you leave. Trying not to spoil here. It’s just a big series of literally crashing into the middle of other people’s stories that have nothing to do with you. Once again, I find this aspect refreshing. Not everything has to be about saving the world.
The OST was tolerable, but altogether not to outstanding. For all of the interesting monsters, their noises and growls don’t have the same impact they did in prior titles. There’s some faux-zombies in this title, and they sound like zombies. The guns are interesting but also don’t sound all that interesting. Most important is the voice acting. Despite being FULL of lore and story, the English voice cast still sound like a bunch of Americans faking a Russian accent. It’s charming in a way, but still objectively not too great. Many say to play the game with Russian audio on instead, but that would involve far too much reading. It is still competently put together and has its moments.
This game is hardcore, even on the easiest setting. You cannot expect to just run and shoot your way through the campaign. You will burn through resources and crafting tools so fast. I believe there could be a point where you can legitimately run entirely out of resources and have to start the chapter over, probably.
The gameplay loop is quite engaging. Each major stage after every train scene is a wide open map. Pleasantly, they aren’t gigantic, but actually very decently sized play areas with plenty to explore. It’s not easy to get from point A to point B. You can make waypoints, but the locations aren’t as simple as the map makes them out to be. You spend your time with a lot of gadgets on you, and you’ll need all of them. You have a lighter, the map, a backpack, headlight, battery charger, and a wrist gadget just to name a few. Your backpack serves as a mobile crafting station but you can’t craft the best gear on it. It’s good for getting you out of a bind if you have low health and know health packs. Your health doesn’t regenerate in this one, so you gotta take care of yourself.
Even if you have a lot of ammo, it will still get you killed if you charge in guns blazing. Stealth is almost mandatory when you deal with human enemies.
Combat is slow and deliberate too. Even if you have a lot of ammo, it will still get you killed if you charge in guns blazing. Stealth is almost mandatory when you deal with human enemies. As for monsters? Well… good luck. You’ll need it. Here’s a testament to the immersion of the gameplay. After I finished this game, I started playing Far Cry New Dawn. There were many times where I found myself pushing buttons that are supposed to bring out my lighter or flashlight. I kept forgetting I wasn’t playing Metro anymore. That’s right, the game is so engaging it will actively ruin other FPS’s for you. Maybe play a fighting game afterwards.
The fun you can have in this game is widely subjective to your tastes. I got what I wanted out of this. A tough as nails survival horror game masquerading as an FPS. I’ve had friends tell me they absolutely hate the game and get annoyed by it the whole way through. And there’s people who loved it. And people who liked it but didn’t think it was Metro enough. That’s my opinion, it’s good but at the same time it does seem a bit out of its element compared to the other titles. There’s that, and the game has its fair share of some truly frustrating moments. Despite this, I pressed on and on, even when the game got maddeningly hard.
Pick this up if you like horror and shooters. Just keep in mind that its a very nuanced experience.
Outcast: Second Contact is a action adventure game developed by Appeal and published by Infogrames, with the remake put out by Big Ben. The game is set where a US Government agency successfully sends a probe to an alien world in a parallel universe. You wake up, and are greeted by an aliens race, at war with its own kind. Two group , Talan and Xue. Xue, is ruled by a dictator who has enslaved the Talan. Glob is their version of God, and they interpret the words of their God differently. Your job is to fight back and win over the hearts of the people. In turn, they will help you in your rebellion.
To be honest, the graphics are poor. They remind me of Tomb Raider on PS2. It does have some color to it, sure. It’s got shades of tan and some blue in there. But the texture is grainy and it looks a bit like Turok. There aren’t a whole lot of detailed shadows either. Your main character is wearing what he has on the cover, so that’s pretty straight forward. A group of spiders in the game look like dust being kicked up. Like, if you were looking at brown static on South Park.
The story is deep in the sense that it’s fully fleshed out. But it’s not all that interesting. Glob vs God is an example of how much work they put into their creativity. The setting is an alternate version of planet Earth. I think, that’s what they were trying for, nothing crazy. In terms of immersion, the detail is still there. There are differences between the tribes and what they believe along with deep seated conflicts. You’re some type of messiah from the prophesies.
It seems that there are like three voice actors. Possibly four. Absolutely nothing stand out to me here. It’s all throughly mediocre. But seriously, I think the cast had like five guys. Nothing remarkable about the sound FX or the OST.
On normal mode that game is pretty challenging, but it gets easier. That’s because you find people that will heal you for free, and money is pretty easy to get. You have somebody who will forge bullets for you too. So if you don’t mind the travel time you can beat the game essentially in a few hours. That would work in practice if not for the rampant amount of glitches. Whenever you talk to an NPC, the camera is incapable of focusing. That said, at least the bugs were not too crucial, just dumb. I fell under the map a few times, that was fun.
Well, it wasn’t bad. It was somewhat entertaining. The shooting mechanics are fine but I guess I wanted more? It did keep me coming though. There was a bit where I got frustrated. It almost seemed impossible to dodge the bullets coming my way. Seems it was like a percentage thing. It was impossible not to get hit. At the time I was playing this short game, I took breaks between this and replaying Fallout 3. And streaming free games on twitch.
Overall, even though this game just wasn’t great, I still had a bit of fun. If you’re playing this for free, it may be worth your time. You’ll know quickly if you like it or not. I still feel ripped off in a way. They should have been paying me to play it instead. But no, it’s fine. It’s fine. I’m only a master in memes.
Yakuza. The name brings fear into the hearts of many. One of the longest running games in history is the center piece of the game with the same title (feels like this has been done before). Yakuza Kiwami 2 is the latest remade title in the franchise serving as a remake of the sequel originally on PS2. Released worldwide on December 7th, 2017, the remake carries a lot of updated visuals and a few updated gaming mechanics. Published by SEGA and developed on the dragon engine, Yakuza Kiwami 2 continues the adventure of Kazuma Kiryu.
One of the most powerful components of Yakuza when it originally released on PS2 was its graphical fidelity. It looked more stunning than 90% of the games on the market. Yakuza Kiwami 2 keeps the long running series history of incredible graphics very much alive. As an official remake it is exciting that the development team used the same engine as the most recent release. Everything in the background pops with just enough vibrancy to coexist with the forefront objects. Emotions can truly be seen in the faces of every character including the useless NPC’s on the streets. Cutscenes transition to gameplay incredibly smoothly.
The game picks up immediately after the events of first. It continues to build the relationships established in the first game with little room for new comers. Without spoiling the events of either game, Yakuza Kiwami 2’s story really starts to flesh out who Kazuma Kiryu really is. It also gives the player a lot of back story to some of the major antagonist who were involved in the first piece of the story. From start to finish the experience is emotionally captivating.
As an American gamer with interest in Japanese storytelling, the lack of American voice-overs is still a bit of a disappointment. The subtitle translation is still nearly flawless. The sound of the city is slightly lacking and in many points can feel lacking and hollow. When the ambiance gets it right though, it gets it perfect. The chatting of people on the street corners about the fight that just took place really fills in the liveliness of the world. It’s pretty clear the development team has mastered the art of carrying assets.
One thing that has to be addressed is that most Japanese game developers have an obsession with trying to fit in every possible gameplay mechanic in one. Yakuza as a series is no exception. Kiwami took the original and packed it with all the flavor from the newer games. While Kiwami 2 took the first remake and swapped out the story line. The over abundance of mini games still exist. The dynamic fighting styles are even more exciting with new over the top finishers. Kiwami 2 does feel a little bit faster paced in between the action, but that could be very subjective. Either way, It’s a remake that delivers on all its promises.
Yakuza games, by non-fans, have always been treated like the Japanese version of Grand Theft Auto. This comparison is a bit deceiving though. With a slew of different gameplay styles, the complexity of the game may be discouraging to many. Those who find themselves deeply ingrained in the story will enjoy exploring everything it has to offer. The fun factor in this particular series comes from the amount of depth to the Japanese culture that can be explored. As a pick up and play for a few minutes probably not the best option as it is hard to really get anything out of that. However, the game is fun enough to make the 3-4 hours of gameplay per sitting to get anything done is more than worth it.
Yakuza Kiwami set the standard extremely high for the remake world. Updated visuals put a brand new spark into the entry of an amazing series. Well balanced gameplay and outrageous unique elements keep the game exciting and fun during every session. The most powerful element of the game however is absolutely the story it tells. Loyalty, conviction, self development, and growth are all just a few of the topics that the narrative covers. Yakuza Kiwami 2 is proudly more of the same.
Kingdom Hearts 3 was developed and published by Square Enix and let’s just jump on into it.
Kingdom Hearts 3 is a game 13 years in the making. It kinda shows. The game doesn’t look bad. It’s a cartoon design how could it? But it doesn’t have any huge flair either. It lacks the Pixar sheen thats makes the 3D animated films outstanding. On the other hand, it does have the illustrious color of the classic 2D Disney films. It just doesn’t do anything to really stun the player. Although, the way the team managed to recreate environments from some of the greatest movies of all time is incredible, the initial wow factor fades quickly.
Where to begin? Quite literally might be the single toughest question the development team had to handle. And boy did they miss the mark. There is no way to get into Kingdom Hearts 3 without having played the series before, assuming Kingdom Hearts 1 and 2 are enough. The game immediately throws a bunch of characters in without any introduction. Not necessarily to who they are, as most are Disney icons, but rather how they impact whatever is going on. And because of this there is hardly any explanation of what’s going on. It’s probably a great finale to a great series, but as a standalone title it opens with way too many questions.
Similar to the graphics, the development team’s ability to recreated classic sound effects was astonishing. The hours and man power that must have went into this absolutely paid off. The family film feeling was in every valuable sound bit. Coupled with the incredible voice acting, the world could not have felt more alive. Sure the menu sound suffers from the Square Enix gold standard of using annoyingly sharp chimes for menu navigation, but worth the trade. The sound design makes for Kingdom Hearts 3 to be a truly immersive experience.
Kingdom Hearts 3 has an incredibly balanced combat system. The key blades weapon setup that gives each keyboard two nearly opposite play styles adds an incredibly strategic layer to the game. Coupled with the magic skills, it moves the needle way past the hack and slash threshold. Exploring the universe, rather the “Ocean Beyond”, quickly turned itself into it’s own super fun fast paced minigame. There are so many elements to explore, nearly every gameplay aspect could be its own game.
This game makes itself very easy to keep playing. Battle after battle, the combat felt exciting. Some players might want to adjust the control setting for their preferences. It’s hard not to want to be a part of the adventure even though the game makes its so damn hard. Inclusion is the only barrier for newcomers. With that said theres no way that anyone who understand the story aren’t going to enjoy the hell out of this. The combat system is great, flying the ship is way more fun than it should be, and the worlds are colorful, oozing imagination. It really feels like a major Disney event. All major Disney events are fun.
Kingdom Hearts 3 might be the greatest finale to a long running series to date. However, it ignores all new players by providing no welcoming entry point. The game is a ton of fun to play, so it’s hard to imagine anyone who loves the series being disappointed at all. The only real way to fully enjoy Kingdom Hearts 3 is certainly to play all the games before it. Or at least watch the recaps on Youtube.
Game development studios go out of business all the time. It’s the unfortunate part of the industry that keeps every on their toes. What does not happen often, if at all, is a game publisher going out of business. Then there assets and trademarks being purchased at auction. And finally, one of their biggest franchises gets brought back to life by the new owners. However, crazy it sounds, this is the story of Darksiders 3. The release date was on November 27th 2018 for PS4, Xbox One, and PC. It picks up where the previous games left off and puts you in control of the only horsewoman of the apocalypse. Developed by Gunfire Games and Published by THQ Nordic (remember the story) the third person hack and slash action adventure game hopes to build on the foundation laid before it. Does Fury get an adventure as awesome as War & Death?
The first thing most gamers will notice is that Darksiders 3 looks a lot like Darksiders 2. For reference, DarkSiders 2 looked a lot like DarkSiders 1. So yeah, the graphics are nothing to really be blown away by. The impressive part of the graphics feeling dated is (with the remasters in existence) the timeline of events feels super coherent and natural. In a weird way, rather than feel like the graphics are outdated it feels like the game is bringing the player to a specific point in time. Whether this was intentional or not it makes it super easy to overlook the minor graphic issues. And the game development team did an excellent job at making sure there were no glaring graphical faults. Not the prettiest tool in the shed but not ugly enough to ruin the experience.
The Darksiders series tells an incredible story when all three games are put together. Individually, each games story is really good but it’s very clear something is missing without the experience with the previous games. Fury is on a mission to take down the seven sins that have taken over earth. That reads interesting but not quite enough. It’s missing the flare of knowing everything that led to this point. Like War being framed for causing the battle that destroyed earth and ruined the balance. Or that Death is on his own unapproved mission to prove his brother War’s innocence. Or perhaps the suspicious story from the Char Council that Strife is off on a mission and he can not be reached. See now the story is much more interesting, however all those pieces come together from playing every game. Great story spread across three good games.
Similar to the visuals, the audio in Darksiders 3 sounds very much like it’s predecessors. Again this does an incredible job of creating the feeling that the events of the game are indeed taking place simultaneously with Darksiders 1 and 2. For anyone who’s played the previous games the roars of monster and the destruction of items in sight will sound very familiar. For those new to the series, it’s a hit or miss. Some menu sounds are absolutely annoying with their sharp chimes. However, most of the sounds in game, from sword swinging to landing from a large jump, are pretty action packed. The adrenaline inducing sound effects and music add to the fast paced excitement even if it sounds like a last generation soundtrack.
This is where each game in this series really separates. Each development team for the Darksiders series has had the privilege of working with nearly identical environments with a different protagonist. In Darksiders 3 the player takes control of Fury, often recognized as the least predictable of the four horsemen. Fury specializes in using her whip and magic to overcome most battles. This makes her similar to Death in that she more effectively dodges than she does block. Yet, similar to War, she is very up close and personal, using her whip and magic to close the distance more often than end the fight. The introduction of a few new enemy types and the strengthening of others makes the experience unique to Fury. Enemies that could barely hurt the hulking War are a larger threat to Fury. Learning to play to each Horseman’s strength and weaknesses is what has every fan of this series asking, when do we get the 4 player co-op DarkSiders game?
Fast paced hack and slash third person action. That sentence is the literal definition of a fun game. The Darksiders series does a great job of combining puzzle, platform, and adventure game mechanics. Darksiders 3 is no different. It embodies basic RPG elements like growth and skill charts but it’s mostly about reflex reactions. Battles involve accurate timing for both attacks and dodging. Puzzles scale in size from small levers and dials to entire environments that need to traversed with precision. All these great pieces of other fun games make Darksiders 3 the type of game that requires effort to stop playing.
Darksiders 3 does a great job of being exactly what fans of the series want at the small risk of being too much for newcomers to handle. The team at Gunfire Games have done an excellent job of providing a solid hack and slash adventure during the genre’s major drought. Any fans of fast paced action, unique gameplay mechanics, and challenging puzzles needs to get their hands on this. Or any of the games in the series, honestly.
“Controls are now crisp and fluid like diarrhea I had one time.”
The original Resident Evil 2 came out in 1998. That’s one year before The Matrix was a thing. Let THAT sink in. 21 years ago. The new Resident Evil 2 Remake is developed by Capcom R&D Division 1 and published by Capcom. The first game defined a genre of horror games and the sequel cemented it. But some really old games don’t always hold up as well as they did back then, and a full, ground-up remake is necessary. So, how is this one?
It has stunning updated visuals and state of the art usage of textures. These include but are not limited to:
A wet look on surfaces like tiles due to rain.
Flooding beautiful locks of hair sprouting from our protagonist’s head.
Lickers and their perfectly rendered lil’ buttholes.
Phenomenal facial animations and character models replace the old 90’s pixelated ones.
Instead of a camera that obscures and can’t be navigated, you can now enjoy the same over the shoulder camera you know and love today. With that, you really take in the atmosphere. Now this is how you remake a game! Everything has been re-imagined from the ground up!
If you like stories about:
Big shadow corporations
Labs hidden away in sewers
The usual sci-fi warning to us mere mortals as to what CAN go wrong the more we meddle with technology…
…then look no further! G-virus! Choose between 2 characters that experience the zombie outbreak via their distinctive perspectives and situations. Replay them to piece together more of what really happened in Raccoon City with 4 possible variations of the events!
The music and sounds definitely enhance the horror and gameplay/ atmosphere. Some tunes come on just to warn when certain enemy variants come into play. The voice acting and dialogue has improved so much since the 1998 release! Despite Mr. X having a straight up banger song play when he pursued you. The game did feel like it could have used more in the soundtrack department, but all the sound effects, each squishy tissue on the zombies was perfect!
So long tank controls and shoddy camera! Hello controls that are now [SEE ARTICLE SUBHEADLINE]. Explore the police station, solve puzzles, and be strategic with ammo and healing items as this game is survival horror. I do however wish there were more updates like a dodge or roll to evade foes. One boss battle in particular bothered me that he could throw things through walls and I had no means of avoiding it. Props to Capcom for making a character like Mr X, he could have easily broken the game, but didn’t, he was an awesome balance to the game.
Although a challenge and a bit of a learning curve, this game is fun! On my first playthrough, I was already ready to take on the final boss with just my knife alone! If I can survive the zombie apocalypse, so can you!
Everyone has been upset over a particular mission. Nordlys depicts a woman and her mother opposing German troops who are transporting a nuclear compound known as hard water. This event actually took place under several men trying to sabotage the plans. All the complaining about misrepresenting history has made something clear. We now all know what really happened.
On the core, the game is still the essential battlefield experience. Chet is a relative newcomer to the series, he’s just not a hardcore fan. He may be missing something by not being a regular user. But, the rash of recent backlash and hate left him surprised. Now he feels like because the expectations were set so low, he liked it. That said, EA isn’t off the hook quite yet!